title notes
Agenda, spring 1969 No marginalia.
Art and literature, an International quarterly No marginalia.
Bhagavad-Gita: the song of God No marginalia.
book of Tao, The No marginalia.
Cherry-Blossoms - Haiku - Japanese Series III No marginalia.
Contemporary literature: Spring 1968 No marginalia.
Contemporary literature: Summer 1969 No marginalia.
Contemporary literature: Winter 1967 No marginalia.
Contemporary literature: Winter 1969 No marginalia.
Contemporary literature: Winter 1970 No marginalia.
Elson's pocket music dictionary "Lorine Niedecker" written in blue ink on front cover.

p. 25: "fa do" in pencil after "Cadence, plagal."

p. 34: Note added to treble clef, a-note above and below treble clef identified in discussion of "Clarinet."

pp. 84-85: Table of instruments is numbered 1-4; "=" written near Tuba and Saxhorns; check marks after Bass-drum and Tambourine.

p. 177: "rate of vibration" underlined in definition of "Pitch."
Every man's Bible No marginalia.
Haiku - Translated from masters of the seventeen---- Is this under another title?
Handbook of Marxism p. 7: Checkmark in table of contents next to XXIV. V.I. Lenin - What is to be done: Dogmatism and 'Freedom of Criticism' - Trade Union Politics and Social Democratic Politics.

p. 9: In table of contents page number 855 is boxed with pencil for item V.I. Lenin - 'Left-Wing' Communism: an Infantile Disorder.

pP. 730-731: Quote by Kautsky is marked in the margin with "US?" - "... there are periods whedn the warring classes so nearly attain equilibrium that the State power, ostensibly appearing as a mediator, assumes for the moment a certain independence in relation to both." Paragraph beginning "Such, we may add, is now the Kerensky government..." on page 730 is marked in margin. Paragraph beginning "In a democratic republic..." at top of page 731 is marked in margin. Seven lines beginning with "A democratic republic is the best possible..." in last full paragraph on paged 731 are marked in margin and have a question mark along side. This sentence is marked in margin and has two question marks along side: "We must also note that Engels quite definitely regards universal suffrage as a means of bourgeois domination."

p. 732: Portion of a quote from Engels is marked boldly in margin: "We are now rapidly approaching a stage in the development of production at which the existence of these classes has not only ceased to be a necessity but is becoming a positive hindrance to production."

p. 734: Four lines of a quote from Engel at top of page are marked in the margin, starting with: "...a State, is no longer necessary.." The following sentence is marked in the margin along with a question mark: "The current popular conception, if one may say so, of the 'withering away' of the State undoubtedly means a slurring over, if not a negation, of revolution."

p. 738: Five lines beginning with "Eclecticism is substituted for dialectics..." are marked in the margin, with a question mark along side.
Holy Bible Notation on the page at front listing the names of the Old and New Testament books: "Job written 5th or 4th cent. B.C."

pp. 378-379: The following verses are marked: 1 Kings 6: 4, 7, 9, 19, 20, 21, 22, 23, 27, 35, 37, 38. The word "years" is added in the margin at the end of the chapter.

p. 387: The following verses are marked: 1 Kings 10: 23. 1 Kings 11: 9.

p. 389: The following verses are marked: 1 Kings 11:36. "40 years" is written near verse 42.

p. 429: The following verse is marked: 2 Kings 17: 33.

pp. 436-438: The following verses are marked: 2 Kings 23: 3, 26, 27, 37.

pp. 439-440: The following verse is marked: 2 Kings 25: 9, 21

pp. 942-943: The following verses are marked: Matthew 5: 16, 20, 26, 38 [question mark in margin], 43.

pp. 945-946: The following verses are marked: Matthew 6: 1, 9-13, 24, 34.

p. 945: The following verse is marked: Matthew 7: 1.

p. 985: The following verse is marked: Mark 7: 37.

p. 988: The following verse is marked: Mark 9: 29.

p. 997: The following verse is marked: Mark 14: 72.

p. 1002: The following verse is marked: Luke 2: 20.

pp. 1068-1069: The following verses are marked: Acts of the Apostles 1: 2, 7, 26.

p. 1074: The following verse is marked: Acts of the Apostles 5: 11.

p. 1075: The following verse is marked: Acts of the Apostles 6: 7.

p. 1077: The following verses are marked: Acts of the Apostles 7: 33, 47.

pp. 1078-1079: The following verses are marked: Acts of the Apostles 8: 3, 40.

p. 1080: The following verse is marked: Acts of the Apostles 9: 31.

p. 1082: The following verse is marked: Acts of the Apostles 10: 45.

pp. 1085-1086: The following verses are marked: Acts of the Apostles 13: 1-3, 50-52.

p. 1089: The following verse is marked: Acts of the Apostles 15: 35.

pp. 1091-1092: The following verses are marked: Acts of the Apostles 17: 21, 23, 28.

p. 1093: The following verses are marked: Acts of the Apostles 18: 22; Acts of the Apostles 19: 9.

p. 1094: Acts of the Apostles 19: 24 has a question mark in margin next to it.

p. 1095: Acts of the Apostles 20: 4 has "Omit" in margin and parens around "into Asia."

p. 1097: The following verses are marked: Acts of the Apostles 21: 21, 23, 28.

p. 1100: The following verses are marked: Acts of the Apostles 23: 28-29.

Italy, vacation guidebook No marginalia.
Lamb's tales from Shakespeare On first page: From Mrs. Bowen - 1918.

Bottom of page 77: "1380 word."

pp. 80-81: Lines in pencil between four lines of the text, apparently unrelated to anything.

p. 83: Bracket and question mark in margin for: "From the Fleance descended a race of monarchs who afterwards filled the Scottish throne, ending with James the Sixth of Scotland and the First of England, under whom the two crowns of England and Scotland were united."

p. 84: "with distracted words" is underlined.

p. 85: Bracket and question mark for: "... he called Macbeth by name, and bid him beware of the thane of Fife; for which caution Macbeth thanked him...."

p. 86: Brackedt and underlined re. "... he began to envy the condition of Duncan, whom he had murdereds, who slept soundly in his grave...."

p. 87: Another apparent random line at: "should come to Dunsinane: and now...."

p. 88: Underlining re. "... in which Macbeth though feebly supported by those who called themselves his friends...," with "men [illegible ?] him" in margin.

p. 89: Question mark and bracket in margin for the paragraph beginning "'Accursed be the tongue which tells me so," said the trembling Macbeth...." In bottom margin: "convulsive-action self-delusion (?) self-abuse."

p. 347: In bottom margin: "67 minus 7 equals 60. 1623 she died minus 7 equals 1616 died minus 60 equals 1556 born."
New directions 11 Slip of paper with typed note, taped to first sheet of book, reads:
"I rose from marsh mud
Don't tell me property is sacred
Sunday's motor cars
New Directions review
Gerard Meyer in Saturday Review of Lit. May 20, '50
'The poetry is brightened by the presence of William Carlos Williams, who has never looked so young.' 'Honorable mention also should go to some of the other writers in this medium: Lorine Niedecker for her fresh notations; Willard Maas, for his command of both strangeness and form; Marcia Nardi, for the passion and perspective in her work. And Warren Carrier's trans. of the Chilean Claudio Solar, is an effective original creation.'"

New Directions 12 p. 185: In selection of her poems, LN has drawn a line across the page to separate 6 lines from preceding poem and labeled it "Poem." In next poem she changes "sweet" to "sweat."
New Directions 13 On first page of book: "Gail Roub, 437 Adams, Fort Atkinson."
New Directions 1937 On first page of book: "Niedecker" in pencil; "Gail Roub, 437 Adams, Fort Atkinson" in ink.
New directions in prose and poetry 17 No marginalia.
New Directions in Prose and Poetry 19 No marginalia.
New directions in prose & poetry, 1938 No marginalia.
Origins (Volumes 1, 10, 11, 14, 15, 16, 20) Not reviewed
Oxford book of English verse 1250-1918 No marginalia.
Paris Review, Poetry Not reviewed
Paris review, The; no. 31, Winter-Spring 1964 No marginalia.
Paris review, The; no. 38, Summer, 1966 No marginalia.
Paris Review, Writers at Work, second series No marginalia.
Those who built Stalingrad No marginalia.
The law of civilization and decay No marginalia.
Apollinaire No marginalia.
Heliodora and other poems p. 11: X at top of page, marks in margin near lines:

to mould a clear
and frigid statue;

rare, of pure texture,
beautiful space and line,
marble to grace
your inaccessible shrine.

p. 18: X at top of page, poem is "Heliodora."

p. 25: X at top of page, poem is "Nossis."

p. 33: Second stanza in poem "Thetis" is bracketed in margin. The entire stanza of same poem at top of page 34 is also bracketed. On p. 36, the line "I, Thetis, alone" is marked.

p. 39: These lines in "At Ithaca" are marked in margin:

... and the sea
takes on that desperate tone
of dark that wives put on
when all their love is done.

pp. 46-47: 18 lines from "Fragment 36" are bracketed.

p. 60: Lines marked in margin: "yet to sing love,/love must first shatter us."

p. 109: Lines marked in margin where the Ethiopians "are divided into two parts,/(half watch the sun rise,/half, the sun set)...."

pp. 119-120: These lines seem to be marked: "... save the broad ledge of sea/which no man takes...."

On second last page: "Thetis = Aneaid /sea symbol/mother of Achilles."

Inside back cover: "What's O'clock? 2.15 Pictures of World Sandburg 2.50."
The religion of beauty No marginalia.
The new American poetry: 1945-1960 Inserted between pp. 132-133: bottom of p. 6 from Aug. 26, 1960 New York Times Book Review, with photos of Denise Levertov, Frank O'Hara, Robert Duncan, Jonathan Williams, and Kenneth Koch.
Birds and their attributes No marginalia.
The school of Donne No marginalia.
Emily Dickinson's Poetry: Stairway of Surprise No marginalia.
six Mid-Americvawn Chants No marginalia.
Santayana and the sense of beauty No marginalia.
Passages from the prose writings of ____ No marginalia.
Meditations p. xiii: Five lines beginning with "The Stoics aspired to..." appear to be marked near bottom of the page.

p. 111: Paragraph XXVII seems to be marked; it begins "Within a while the earth shall cover us all, and then she herself shall have her change."

p. 113: Paragraph XXX appears to be marked; it reads: "Many of those things that trouble and straiten thee, it is in thy power to cut off, as wholly depending from mere conceit and opinion; and then thou shalt have room enough."

p. 119 This sentence seems to be marked: "Thou shalt one day be full, and want for no external thing: not seeking pleasure from anything, either living or insensible, that this world can afford; neither wanting time for the continuation of thy pleasure, nor place and opportunity, nor the favour either of the weather or of men."

pp. 124-125: These sentences appear to be marked: "And when shalt thou attain to the happiness of true simplicity, and unaffected gravity? When shalt thou rejoice in the certain knowledge of every particular object according to its true nature: as what the matter and substance of it is; what use it is for in the world: how long it can subsist: what things it doth consist of: who they be that are capable of it, and who they that can give it, and take it away?"

Notation on last page of book: "xiii, 17, 103 - mind straight to object, 111, 113, 119, 125.
Essays and New Atlantis p. 17: These are underlined: "Revenge is a kind of wild justice..." and "It is the glory of a man to pass by an offense...."

p. 39: In top margin: "amongst, hath, doth, remaineth." These are underlined: "love is ever matter of comedies, and now and then of tragedies...," "amongst all the great and worthy persons," ["there is a" is handwritten] "mad degree of love which shows that great spirits and great business" ["to keep out" is handwritten] "weak passion." Also underlined: "love can find entrance, not only into an opedn hedeart, but also into a heart well fortified..." ["encouraged" is handwritten].

p. 40 These are marked with an asterisk and underlined:

"That it is impossible to love and be wise."

"[L]ove is ["ever" crossed out, replaced with "always] "with ["and inward and" is crossed out] secret ["contempt" seems to be replaced with "scorn"]...."

"[T]imes kindle love, and mke itr more fervent" is changed to read "time kindles love, and makes it morte 'warm'."

p. 41. Several changes similar to the changes on p. 40 are made to the text on p. 41.

The narrow road to the deep north and other No marginalia.
Flowers of evil No marginalia.
The rise of American civilization No marginalia.
Margaret Fuller, a biography p. 197: In fourth full paragraph on the page, sentences are marked along the side of the text from "She felt that there was a bond between man and nature in England..." to the end of the page.
Patterns of a culture No marginalia.
Creative Evolution No marginalia.
The creative mind No marginalia.
The two sources of morality and religion No marginalia.
Mary Shelley No marginalia.
Blaise Pascal No marginalia.
Complete poetry of each No marginalia.
Life of Samuel Johnson No marginalia.
Primitive song No marginalia.
The Greek experience No marginalia.
The American tradition in literature No marginalia.
Jesus, a myth "L. Niedecker '26" in ink at top of first page.

p. 40: "Iphigenia" is underlined.

p. 41: An "X" near the sentence: "The cult of the Syrian god Attis had in common with Christianity the cleansing of the soul by the shedding of blood." An exclamation point and question mark in margin near the end of "No one any longer regards the Gospel according to John as documentary evidence of historical facts. It is pure symbolism, pure theology."

p. 71: The paragraph beginning "Later the common people's curiosity..." may be marked near the beginning and end of it.

p. 73: Near third line on page: "Corinthians" is written in pencil in the margin. "Attis" seems to be check marked at start of final paragraph on page.

p. 85: These lines are marked: "A logical way of finding what is really historic would be to start eliminating what cannot possible be held such, and then see what remains. It is to be feared that the outcome would be the same as when Peer Gynt began...."

p. 119: The paragraph beginning "In Genesis already, work was regarded as a curse..." and ending "... which neither sow nor reap, and yet are fed and clothed by their heavenly father" is marked in the margin.

p. 184: The following sentence is marked in the margin: "In addition, their many beautiful stories and parables have for many centuries brought inspiration to poetry, painting, sculpture, and music."

Notations on blank page near back of book:

"bribe into betraying
redundancy
explicable
to bring home -"


The common sense of science No marginalia.
The poetical works of ____ No marginalia.
Fenollosa and his circle Table of contents is marked up with full names of people listed and their the dates of their births and deaths. Writing is in pencil; it does not appear to be in LN's typical handwriting.

The world of Washington Irving No marginalia.
Pomegranates from an English garden p. i: First paragraph of introduction is bracketed.

p. ii: Marked in margin: "It would, of course, be absurd to claim for the pomegranate the bloom and beauty of the peach...."

p. iii: Bracketed: "His work is full of thought, and the thought is never commonplace. There is so much of it, and all is so fresh, and therefore unfamiliar, that some mental effort is necessary to grasp it." Also bracketed: "The expression isw always the briefest. Not onloy are no words wasted, but, where connecting ideas are easily supplied, they are often left unexpressed, the intelligence and mental activity of the reader being always taken for granted." Also bracketede: "...as Shakespeare must be studied in order to an appreciation other than seconde-hand, so must Browning be studied in order to be appreciated at all; for his writings are not yet old enough to secure much second-hand enthusiasm."

pp. iii-iv: The entire paragraph numbered "4" is bracketed.

pp. iv-v: The first two sentences of the paragraph at the bottom of p. iv and the beginning of page v are bracketed. The first three sentences of the paragraph starting in the middle of p. v are bracketed.

p. vii: The first and last sentences of the first paragraph to start on p. vii are bracketed.

p. 64: Section IX of "ABT VOGLER" is bracketed.

p. 75: These lines are bracketed: "God be thanked, the meanest of his creatures/Boasts two soul-sides, one to face the world with,/One to show a woman when he loves
her!"

pp. 80-81: These lines of "ABT VOGLER" are bracketed, beginning with "Have I knowledge?..." on p. 80 and ending with "I climb to his feet" on p. 81.

pp. 83-84: All of section XVIII of "ABT VOGLER" is bracketed.
Briggflatts No marginalia.
Loquitur No marginalia.
Poem: 1950 No marginalia.
The life and works of Beethoven p. 65: Beneath page number, "146" lightly in pencil.

p. 460: "Rondo A Capriccio in G Major, Op. 129" is marked with check mark.

p. 478: "Rondo A Capriccio in G Major, Op. 129" is marked again.
Poems and songs Notations on a slip of paper tucked between pp. 224-225. On one side: "Burns - He said poetry was 'a darling walk for my mind.' Gie me ae spark of..."

On the other side: "'Gie me ae spark of nature's fire,' That's a 'the learning I desire;' ------------."
Life and world of George Santayana Copy of hand-written noted inserted before page 3: "all that country, a massive grand corruption of nature (rocks) and language (basho is bon jour); Marais (Grand Marais) is to the sailors [sailors is circled] seamen more refuge than swamp. A noted dated 9-10-92 by another states: "Original of this hand-written note filed in protective Box #1 (Believed to be that of Lorine's). Probably written in late 60s when L. & AL toured around L. Superior."
Selected letters No marginalia.
Beyond life pp. 56: Mark in margin for two lines reading: "... and might even afford the sinner control of superhuman powers. Men have always dream thus of evading the low levels of everyday existence...."

p. 248 is dog-eared, mark in margin next to: "... and to proclaim that 'All this is truth' is really on a par with observing 'All this is carbon.'"

p. 264 is dog-eared and margin is marked near: "If 'realism' is a form of art, the morning newspaper is a permanent contribution to literature. Undeniably, the 'realist' invents his facts a trifle more daringly than the police reporter, and soars above mere veracity on an approximate level with the editorial writer...."

p. 268 is dog-eared and marked in the margin near: "Facts must be kept in their proper place, outsideof which they lose veracity" and "There in brief you have the damnatory frailty of 'realistic' novels, which endeavor to show our actual existence from a viewpoint wherefrom no human being ever saw it."

p. 326 is dog-eared and marked in the margin near: "'Realism' is the art of being superficial seriously."
War commentaries No marginalia.
Silence No marginalia.
Selection of her letters No marginalia.
The sea around us No marginalia.
(Cai Valeri Catulli Veronen-sis Liber) An article about Zukofsky by Hugh Kenner entitled "Louis Zukofsky: All the Words" has been tucked in the center of the book. Article was published in the New York Times Book Review, June 18, 1978.

The poems of ____ No marginalia.
Melville p. 5 Sentence at beginning of 3rd paragraph "Melville's humor enlivens..." marked in margin with an X.

p. 5 Second sentence in of 4th paragraph "Melville came to writing a novel..." marked in margin with an X.

p. 9 Beginning of sentence "If PIERRE is a book that tries..." in 3rd full paragraph is underlined and marked with an X in the margin.
The lonely sea and the sky No marginalia.
Painting as a pastime No marginalia.
How Does a Poem Mean? Notes on slips of paper inserted between pp. 764-765. On first slip: "How Does a Poem Mean? Ciardi - 'The act of producing a word involves breath and muscle, & various kinds of muscular activity tend to produce various kinds of feeling.' 'The bodily involvement in sounding the word is a distinct part of the word's personality.' 'Even words that arise from the sound of the thing worded has a muscular feel of its own. Farmers now calling Ho! Boss! Almost pure Greek. Centuries before Christ, the same cry over the hills of Greece - meaning literary 'The Cow! The Cow!' hippopotamus - Greek hyppo = horse, ptamus = river. [illegible] of goodbye = God be ir 'ye. Keats - It 'should surprise with a fine excess.'"

On second slip: "Michael [at top of slip]. Ciardi - Line by line & passage by passage the poem comes to the poet from sources he feels strongly but does not pretend to understand. -------- Subject of a poem? What? I.A. Richards (a paraphrase of) 'One talks about the subject of a poem when he does not know what to do with the poemness of the poem.'"
Landscape Into Art No marginalia.
Ruskin today No marginalia.
A Connecticut Yankee in King Arthur's court No marginalia.
Life on the Mississippi Note on blanket sheet at back of book: "p.170"
Reason and nature No marginalia.
Analects No marginalia.
The conduct of life "H.W. Hein" is written at top of first page of book.

p. 7: "Analecta preceded" is written before start of text.

p. 14: "...one instant..." is underlined in the sentence "The moral law is a law from whose operation we cannot for one instance in our existence escape."

p. 16: "... central clue..." is underlined in quote from Confucius: "To find the central clue to our moral being which unites us to the universal order, that indeed is the highest human attainment."

p. 19: "... moral reform..." is underlined in the sentence "In short, moral reform must precede all and every other reform."

p. 25: A portion of this sentence from a quote of Confucius is underlined: "When men take up something away from the actuality of human life as moral law, that is not the moral law."

p. 26: This sentence is underlined: "What you do not wish others should do unto you, do not do unto them."

p. 27: Check mark in margin at beginning of this sentence: "Finding himself in uncivilized countries, he lives as becomes one living in uncivilized countries.'

pp. 32-33: This sentence seems to be marked: "When a man understands how to put in order his personal conduct and character, he will understand how to govern men."

p. 35: The line "... discretion in the employment of their subordinates..." is marked in the margin.

p. 37: The paragraph that begins "In order to acquire truth..." is marked at the start.

p. 38: The space above the start of Chapter XVII is marked with a bracket.

p. 39: The paragraph that begins "For God in giving life to all created things..." is marked at the start.

p. 42: The line reading "... above in pledging the company, in order to show..." is marked in the margin.

p. 43: The line reading "... with us: this is the highest achievement of true..." is marked in the margin.

p. 46: One line in the sentence "It is only he who possesses absolute truth in the world who can create" is marked in the margin. The sentence reading "When it is evil, it can also be known beforehand" is marked in the margin.

p. 55: The last line of the sentence that reads "These moral laws form one system with the laws by which Heaven and Earth support and contain, overshadow and canopy all things" is marked in the margin.

p. 57: "Except for himself" is underlined in the sentence: "Now, where does such a man derive his power and knowledge except from himself?"

p. 59: This line from a quote from the Book of Songs is marked in the margin: "See you do nothing to blush for...."
Wisdom of the saints No marginalia.
The mirror of the sea and a personal record No marginalia.
Selections from Byron, Wordsworth, Shelley On the first page: "Lorine Niedecker 9-8 Junior English '21."

On title page: "Source Book 90, 91, 92"

p. 21: First sentence of first paragraph on page is marked in margin. "Result of Byron's poems, Scott [illegible] novels" in bottom margin.

p. 23: Rhyme scheme of "Sonnet on Chillon" is marked in margin. "Can't endure restraint - dissipated life" in top margin. "Opposite from Wordsworth" in bottom margin.

p. 24: Line marked in margin, and has underlining: "A sunbeam which hath lost its way...."

p. 25: "Repetition" in margin.

p. 26: "Pathos" in margin.

p. 27: For section V, this note in margin: "contrast 2nd suffer more."

p. 28: "Alit" in top margin near: "A double dungeon wall and wave...." "Rep and alit" in side margin near "And then the very rock hath rocked/And I have felt it shake, unshocked...."

p. 29: Faint marking in margin near line: "The range of the steep mountain's side...."

p. 32: Much of section IX is bracketed, note in margins says "sounds like Poe?" Three lines are marked for "repet" and "alit."

p. 34: Lines number 307 and 308 are numbered in pencil.

p. 37: All of section XIV seems to be marked in margin.

p. 38: In margins: "Pool'toog" and "Look up setting and men" and "Wed." "Charles III" next to "the royal Swede." "Votaries" underlined, with ? in margin. "Fate" written above first line of section II.

p. 39: "Vassals" underlined, ? in margin.

p. 40: In top margin: "Mazeppa = 70 years old." "Hetman" underlined, with "Read - Mon" in margin.

p. 41: Mark in margin near line: "Though firm of heart and strong of hand...."

p. 42: "20 years old" in margin next to line: "I think 'twas in my twentieth spring...."

pp. 44-45: Section V is bracketed at the start. "Port" is underlined, "face" is written in margin. These lines are marked: "For Time, and Care, and War have ploughed/My very soul from out my brow...."

p. 47: "Browning" in margin near lines: "Wherewith we while away the day;/It is - I have forgot the name...."

p. 49: "100,000 soldiers" in top margin. "Bile" is underlined, question mark in margin. "Wroth" is underlined. "Cap-a-pie" is underlined, check mark in margin.

p. 52: "Portcullis" is underlined.

p. 54 "Gore is underlined in the line: "Meantime my cords were wet with gore," with a question mark in the margin.

p. 57: Next to a line with "erred" in it, this in the margin: "urred."

p. 58: Section XIV is bracketed at the beginning.

p. 60: Two check marks in the margin behind the line: "His savage force at length o'erspent...."

p. 64: Lines are bracketed beginning with "All that was beautiful and new" through "But as their nerves may be endured." "Hereafter condition of nerves not fear" written in the margin. Check mark in margin in front of this line: "To rule - to shine - to smite - to save...."

p. 66: Page number is bracketed.

p. 68: "Prince Uhraine [or Ithraine or Uhroine or Ithroine ??]" in top margin. "Moral - revenge app - & hardships action interest" in bottom margin.

p. 71: This sentence in the Introduction to the work of William Wordsworth is bracketed: "The joy and excitement of such active play, of runninfg about the fields or woods by day and night, first woke and stirred the deep impulses of genius."

p. 73: Page number is circled. "Sister Dorothy" and "Coleridge - Words" are written in margin.

p. 76: Last paragraph on page is bracketed, with this note in bottom margin: "Contrast to Byron."

pp. 79-80: Last eight lines of page and first wo of next page are bracketed, wherein Coleridge is quoted saying that Wordsworth's purpose was "... to give the charm of novelty to things of every day," etc.

p. 82: Perhaps "lingua franca" is underlined.

p. 83: "Queen Vict" in margin.

p. 84: The titles "Written in Early Spring" and "The World Is Too Much With Us, Late and Soon" are checked marked in margin.

p. 85: The lines "Her eyes as stars of twilight fair;/Like Twilight's, too, her dusky hair" are checkmarked. "A Spirit, yet a Woman too!" is underlined, "charateristic of W" is written in margin. The lines "A creature not too bright and good/For human nature's daily food" are bracketed.

p. 86: In margin: "half way [between?] practical & ideal - poet sees practical in her." Between end of section I and start of section II: "Lucy." First lines in second stanza of section II are bracketed: "A violet by a mossy stone/Half-hidden from the eye!/ - Fair as a star, when only one...." "Solitude" is written in left margin, "metaphor" in the right margin. In bottom margin: "ode to England patriotic Page 174."

p. 88: Page number is bracketed. "Eye" in margin next to second full stanza on the page, "ear" in margin next to the third full stanza.

p. 89: "Axis part of earth" in margin next to second stanza of section V.

p. 91: In margin: "What thots do you [in shorthand: have with regard to??] Lucy's poems?"

p. 92: Near end of section VI: "person never dies - memory." Rhyme scheme for "To a Distant Friend" is marked. In bottom margin: "Different rhyme scheme in each sonate [sic]."

p. 93: Rhyme scheme for "Desideria" is marked. "Conciseness" at end of the poem.

p. 94: The line "From vain temptations dost set free" is check marked.

p. 95: "To humbler functions" and "I myself commend" are underlined. "Mere man" is written in margin.

p. 96: With "England and Switzerland, 1802": "one is of the Sea" is underlined, with "England in margin; "One of the Mountains" is underlined, with "Switzerland" in margin. In the line "Then cleave, O cleave to that which still is left" "Liberty is inserted between "cleave" and "O" and "[Eng.]" written at end of line. "Napoleonic War no doubt" is written in right margin. "Austrian subjugation of Switzerland" is written in left margin. "Sonnett" is written at end of poem. With the poem "On the Extinction of the Venetian Republic" "Venice" is written above "Venetian." "French Napoleanic" is written in right margin.

p. 97: Above "London, 1802" is written "George III." In right margin: "Prevaling not in Eng life during 18th cent was material." "Isn, Agr. & Mefg." in margin next to lines: "To think that now our life is only drest/For show; mean handy-work of craftsman, cook" and these lines each have a check mark. "The wealthiest man among us is the best" is check marked, with "money" in the margin. "Took ~ strides" in margin next to last stanza on page.

pp. 98-99: "London" written next to title "The Same." "Mean ?" written in left margin. "Sonnett" written in margin at end of poem. In left margin of next poem, "XIV," is "different - times goes on." In bottom margin: "Eng. [check mark] help other nations." Lines at top of p. 99 are bracketed, with question mark in margin: "For dearly must we prize thee; we who find/In thee a bulwark for the cause of men...."

p. 100: The line "In liveried poverty" is check marked; "servants" is written in margin.

p. 101: "think" is underlined in line: "It is no tale; but, should you think...."

p. 103 "Spleen" is underlined, "spleen = disliking it" is written in margin. Lines are bracketed: "O Man! that from thy fair and shining youth/Age might but take the things Youth needed not!" Question mark in margin. "Strength & freshness gone" is written in margin.

p. 104: "Uncertainty" written in top margin. "Seven years, alas! to have received/No tidings of an only child" are each check marked. "I sent him forth" is underlined in second full stanza on page.

p. 105: These lines are bracketed: "I now can see with better eyes;/And worldly grandeur I despise/And fortune with her gifts and lies."

p. 107: "privacy" is underlined in the line "A privacy of glorious light is thine" and "surely up there" is written in the margin.

p. 108: "linnett" is written in margin next to first full stanza on page.

p. 109: In bottom margin on page with start of the poem "To the Cuckoo" is written "It's a good thing he lived in younger days any way."

p. 110: Between the end of "To the Cuckoo" and the beginning of "Upon Westminster Bridge" is written "Daffodils = memory." Rhyme scheme of the second of these poems is written out. The line "Ne'er saw I, never felt, a calm so deep!" is bracketed.

p. 111: The rhyme scheme of first stanza of "Composed at Neidpath Castle" is written out. The lines "To level with the dust a noble horde,/A brotherhood of venerable trees" are bracketed. The sentence "Many hearts deplored/The fate of those old trees..." is backeted.

pp. 112-113: "14" is written in margin next to "Twice seven...." Numbering for lines 663, 664, 672, 683, and 684 are written out. The line "This little bay, a quiet road" is bracketed. These phrases are underlined: "Vision as thou art," "Benignity," and "a random seed,/Remote from men."

pp. 114-115: "Just saw her" is written in left margin. Number for line 719 is written out, lines there are bracketed: "Joy have I had; and going hence I bear away my recompense." "Our Memory" is underlined. Last five lines of the poem are bracketed, "Spirit" is underlined, "Memory" is written in margin next to them. In the next poem, "The Reaper," "solitary Highland Lass!" and "by herself" are underlined.

p. 116: The first four lines at top of page from "The Reaper" have check marks, "plaintive" is underlined. Last two lines of poem are bracketed: "The music in my heart I bore/Long after it was heard no more." "Wood Street" is bracketed in "The Reverie of Poor Susan." "City girl working - came from country" is written in margin.

p. 117: The line "And a single small cottage, a nest like a dove's" is underlined. "I wander'd lonely" in first line of "The Daffodils" is underlined. "Happiness" is written in margin next to second stanza; "Tossing their heads in sprightly dance" is check marked. The lines "A Poet could not but be gay/In such a jocund company!" is bracketed.

p. 118: Last stanza of "The Daffodils" is bracketed, "of solitude" is underlined, "memory" is written in the margin. In "To the Daisy" "... unassuming Common-place/Of nature, with that homely face..." is underlined, as is "play with similes." The last four lines on the page are bracketed: "And many a fond and idle name/I give to thee, for praise or blame/As is the humour of the game,/While I am gazing."

p. 119: "similes" is written in the top margin, and numbers 1-7 written in margin to correspond, one assumes, to the count of similes. "Names" in margin next to "Thy appellations." "Reveries are past" is underlined.

p. 120: "... repair/My heart with gladness, and a share/Of thy meek nature!" is underlined. "Braes" is underlined in "Yarrow Unvisited."

p. 121: "holms" is underlined, "lowlands" is written in margin. "Float double, sawn and shadow!" is underlined.

pp. 122-123: "Yarrow ? Scotland" is written before start of "Yarrow Visited." "For not a feature of those hills/Is in the mirror slighted" is bracketed.

p. 124: These lines are bracketed: "But thou that didst appear so fair/To fond imagination/Dost rival in the light of day/Her delicate creation...." "A softness still and holy" and "pastoral melancholy" are underlined.

p. 125: "Inward eye" is written in margin next to "I see - but not by sight alone."

p. 126: "Memory" is written in margin next to last four lines of "Yarrow Visited." "Trying to go to sleep" is written in margin next to first four lines of "To Sleep."

p. 127: "And could not win thee" is underlined. "Tribute" is written in margin next to last stanza of "To Sleep." The last two lines of "The Inner Vision" are bracketed: "The Mind's internhal heaven shall shed her dews/Of inspiration on the humblest lay."

p. 128: These lines from the poem "Written in Early Spring" are bracketed: "And much it grieved my heart to thinki/What Man has made of Man." "Nature" and "idealistic" are written in margin near the third and fourth stanzas. The lines "Have I not reason to lament/What Man has made of Man?" are bracketed. " "Material W,. [or Et] = antithesis" is written in bottom margin.

p. 131: These lines are bracketed: "He told of the magnolia, spread/High as a cloud, high over head!" These lines are bracketed: "Cover a hundred leagues, and seem/To set the hills on fire" and "like that" is written in the margin.

p. 135: "Regrets" in margin before start of first full paragraph on page. "Resolves" in margin near line "No more of this - for now, by thee...."

p. 140: The third through eighth lines on the page are bracketed, "Death of Brotherhood in shipwreck" is written in the margin.

p. 141: "Not without hope we suffer and we mourn" is bracketed, "Hope anyway" is written in the margin. "Ossian" in the poem "Glen-Almain, the Narrow Gate" is underlined, with arrow to "Celtic poet - Celtic = Scotch Oshan [with short vowel mark and accent mark over the O]." These lines are bracketed: But this calm; there cannot be/A more entire tranquility."

p. 142: "Materialism" is written in margin alongside the poem "The World is too much with us, late and soon." "The winds that will be howling at all hours/And are up-gather'd now likie sleeping flowers" are backeted, "often quoted" is written in margin. "Creed outworn" is underlined. "Beautiful [does she mean Beauty?]& happiness are in nature - simplicity."

p. 143: Before "Within King's College Chapel, Cambridge" is written "omit."

p. 145: "Comparison to nature again" is written in margin next to stanza that reads: "No fountain from its rocky cave/E'er tripp'd with foot so free;/She seem'd as happy as a wave/That dances on the sea."

p. 146: "Memory again" is written in top margin.

p. 147: This stanza is bracketed: "The blackbird amid leafy trees,/The lark above the hill,/Let loose their carols when they please,/Are quiet when they will."

p. 148: "We have been glad of yore" is marked in margin, "memories" is written in margin.

p. 149: "bewilder'd chimes" is underlined. "Omit" is written next to title "The Trosachs."

pp. 150-157: "The Child is father of the Man" is bracketed. "Memories" is written in the margin. In the next poem, "Ode on Intimations of Immortality from Recollections of Early Childhood," these two lines are bracketed: "To me did seem/Apparell'd in celestial light." The lines "Oh evil day! If I were sullen/While Earth herself is adorning" are bracketed. "Setting" in top margin of p. 152, several lines are bracketed, and these words are written in the side margins: "Existence/birth," "true," "Philosophy," Lowell," "custom," and "convention." On p. 153 check mark next to: "At length the Man perceives it die away,/And fade into the light of common day." "Lowell" in margin next to line "Earth fills her lap with pleasures of her own." On p. 154: "little child" is written in margin nesxt to "Thou, whose exterior semblance doth belie/Thy soul's immensity...." "Eternal mind" is underlined, with "not end or death" written in margin. "On whom those truths do rest/Which we are toiling all our lives to find" is bracketed. "Custom" is written in margin next to these bracketed lines: "Full soon thy soul shall have her earthly freight,/And custom lie upon thee with a weight/Heavy as frost and deep almost as life!" p. 155: "With new-fledged hope still fluttering in his breast" is underlined. Lines 1754-1756 are bracketed, "memory" is written in the margin. p. 156: "Immortalilty is [ bent dash] master" is written in top margin. "So often quoted" in margin next to lines "Ye that pipe and ye that play,/Ye that through your hearts to-day/Feel the gladness of the May!" "Memory" in left margin, "with nature" in right margin next to "In the primal sympathy," "hereafter in right margin near "In the faith that looks through death." p. 157: "47 years old" in right margin near lines 1800-1805. The lines "To me the meanest flower that blows can give/Thoughts that do often lie too deep for tears" are bracketed. In bottom margin: "'The Cloud' by Shelley. 'We are seven' by Wordsworth. In Lake Geneva on boundary [between] France and Switzerland. Comment on poem 'We are Seven'."

p. 159: In introduction to Shelley: "1822 [less] 1792 [equals] 30." "Unworldly and so ethereal" are underlined with check mark in margin. "Tempest" next to "Ariel."

p. 160: Short vowel sound over "a" with accent mark on the "flam" syllable in "inflammable." Check mark in margin next to: "for his whole life was a protest against all established customs which had any trace of oppression or tyranny."

p. 161 "Zastrozzi" is underlined, "tzi" is written in margin.

p. 162: "somewhat [shorthand sign - like?] Byron" in top margin. Check mark near sentence about Shelley firing pistols everywhere, "so recklessly as to be a danger to others and to himself." Caret near "He read, says Hogg sixteen hours out of the twenty-four...." Title of pamphlet "The Necessity of Atheism" is underlined. "Fag is one who serves another = a drudge" is written in bottom margin.

p. 163: "For all compromise he had an inborn, fiery hatred" is bracketed, with check in margin. Check mark in margin near "Shelley now determined to marry. Harriet Westbrook...." Check margin near "And when, a fortnight after separating from his wife, he departed for the Continent with Mary Godwin, he became, like Byron, a sort of English monster." In bottom margin: "Byron more active."

p. 164: "not narrative poetry" is written in top margin. Check mark near "The list of his important works is very short." Check mark near "the Cornish rover and free-lance, Captain Trelawny." Bracket in margin for eight lines relating what Trelawny "has told us how Shelley passed his days."

p. 165: Check mark and "like that" in margin near: "it might have been taken for a sketch of a marsh overgrownh with bulrushes, and the blots for wild ducks."

pp. 166-167: Marks in margin near these passages: "Alleggra, Byron's dead child, rose laughin from the sea to beckon him." "Shelley's body was found on the san near Via Reggio. In one pocket was 'the volume of Sophocles... and Keats' poems in the other, doubled back, as if the reader, in the act of reading, had hastily thrust it away.'" "Only the poet's ashes could be taken to Rome for burial." "Byron and Leigh Hunt arrived by carriage." And then most of the first paragraph on page 167 is marked in the margin. Check mark next to second last line on page 167.

p. 168: Short vowel mark over "y" in Bysshe, with "two s's" in top margin.

p. 169: Check mark next to: "A solitary man, and none other, must have written such lines as -" then the eight lines quoted are bracketed, with a check mark next to the first of them: "Alas! I have nor hope nor health...."

pp. 170-171: Three big check marks next to last paragraph on page, which explains that for Shelley "beauty lay at the end of a quest, in some region as far off as the No Man's Land...." Check mark on page 171 near explanation that Shelley "brings before your inward eye fewer actual scenes of natural beauty than his companion poets." "... nearly disembodied and dissolved in light and space" and "Light and spacfe, indeed, are Shelley's own domain" are bracketed, with the second of these also underlined. Check mark in margin and bracketing for sentence: "Shelley is not a narrative poet, for the reason that no story could find a foothold in his airy medium."

p. 172: Check mark near "the source of his [Shelley's] most beautiful and magical effects." These sentences are bracketed: "Where has aspiration been given greater depth and distance than in his line 'The desire of the moth for the star'? And as for the description of sights in Nature, no poet has left more lasting pictures of lights [underlined], calm or stormy, seen in the heavens, in pools, or upon the sea."

p. 173: These sentences and quoted from a poem are bracketed: "He changes all objects into something rich and strange, not of the sea, but of the sky; and so radiant is the sky, in his best and highest moments, that like his lark he becomes - '... a poet hidden/In the light of thought.'"

p. 174: The titles of these poems are checked marked: "The Indian Serenade," "To the Night," "The Flight of Love," "Stanzas Written in Dejection Near Naples," "To a Skylark," "The Recollection," and "Music, When Soft Voices Die."

pp. 175-176: Check mark near title of "The Indian Serenade." "They" in first line of second stanza is bracketed. "Champak" is underlined, "specie of magnolia tree" is written in margin. "It" in sixth line of second stanza is bracketed. "Superior to other two in vverse-rhyme" written in bottom margin. Bracket mark at end of poem.

p. 177: Check mark near title "To the Night. "Indefinite" written in margin near first line: "Swiftly walk over the western wave...." The wored "opiate" is underlined.

pp. 178-179: "Likened night to death" is written in margin. Check mark near the title "The Flight of Love. These lines are bracketed "When the lute is broken,/Sweet tones are remember'd not" and "Wordsworth said - not [short hand notation ?]" Note in bottom margin across both pages: "These poems help to analyze the man ----------- that is all, his philosophy is not minel Epicurines?" A question mark next to "One word is too often profaned" at start or next poem, "thee" is underlined with question mark next to it in fourth line.

p. 180: Check mark next to: "I can give not what men call love...." These lines are bracketed: "The desire of the moth for the star,/Of the night for the morrow,/The devotion to something afar/From the sphere of our sorrow?" "He always died [two short hand notations] far off" is written in left margin. Next to the first stanza of "Stanzas Written In Dejection Near Naples" is written "beautiful." Next to second stanza is written: "No solitude for him."

p. 181: These lines are bracketed: "Till death like sleep might steal on me,/And I might feel in the warm air/My cheek grow cold, and hear the sea/Breathe o'er my dying brain its last monotony." Check mark near title: "To a Skylark." "Cuckoo of [illegible]" written in right margin.

p. 182: "unpremeditated art" is underlined, "high up far off" is written in margin. "Like an unbodied joy whose race is just begun" is underlined, "spirit" is written in margin.

p. 183: A line is drawn to connect the lines "What thou art we know not;/What is most like thee?" to the lines "Like a poet hidden/In the light of thought." Check mark and "words" next to the lines "Like a glow-worm golden/In a dell of dew."

p. 185: These lines are bracketed: "We look before and after,/And pine for what is not."

p. 189: Check mark near the title "The Invitation."

p. 191: Check mark near the title "The Recollection." Mark in margin near: "Rise, Memory, and write its praise!"

p. 194: A line is drawn to separate the final eight lines from the poem preceding them. The last two lines are bracketed: "Less oft is peace in Shelley's mind/Than calm in waters seen!"

p. 196: These lines are bracketed: I hasten'd to the spot whence I had come/That I might there present it - O! to whom?"

p. 205: Check mark near the lines: "Oh! lift me as a wave, a leaf, a cloud!/I fall upon the thorns of life! I bleed!"

pp. 207-208: Check mark near the title: "Threnos" or the first line: "O World! O Life! O Time!" Check mark near the start of poem XX, with first two lines bracketed: "Music, when soft voices die,/Vibrates in the memory...." Check mark and "Like this - love it" next to these lines: "And so thy thoughts, when Thou art gone,/Love itself shall slumber on."

p. 209: "Died at 25" in top margin of first page of introduction to John Keats.

p. 210: In margin near a description of Keats's school days: "athletic."

p. 212: Check mark in margin near: "In that same fortunate spring, Keats chose his career, and gave the world his first volume of poems."

p. 213: Long vowel mark over "y" of "ydon" to help with pronunciation of Haydon? In bottom margin: "Lay - Hunt."

p. 216: "Mary" in ink next to "Bright star, would I were as steadfast as thou art." Mark in margin near "'Bring me the candle, Brown, and let me see this blood.'"

p. 218: Bracketed: "...some, too zealous [underlined] in his praise have called Keats a poet of Greek life, and his spirit the Greek spirit." There is also a capital D in the margin, apparently unrelated to anything but near a quoted passage starting "Who hath not seen thee oft amid thy store?"

p. 219: Check mark near the passage reading "the moon in this poet's sky is not the pale weary satellite that Shelley watched...." This sentence is bracketed: "'Poetry,' he once wrote, 'must surprise by a fine excess.'"

p. 220: This sentence is bracketed: "Behind the life which is in all these things, Keats rarely, if ever, suggests thye presence - so real and so full of awe to Wordsworth - of a mighty impulse and everlasting purpose."

p. 222: This sentence is bracketed: "When later you come to know the whole range of Keat's poetry, you will see in the odes a growing melancholy, a sense, unknown in his earlier delighted freedom, that beauty is transient, that all living forms of beauty pass into oblivion."

p. 223: This prose quotation from Keats is bracketed: "If I should die, I have left no immortal work behind me - nothing to make my friends proud of my memory; but I have loved theprinciple of beauty in all things, and if I had had time, I would have made myself remembered." This quotation from Keats' poetry is bracketed "'Beauty is truth, truth beauty,' - that is all/Ye know on earth, and all ye need to know" and "Creed" is written in the margin.

p. 224: The title of these poems are marked: "Ode on the Poets," "On First Looking Into Chapman's Homer," "Ode to a Nightingale," "To One Who Has Been Long in the City Pen," "The Realm of Fancy," "Ode to a Grecian Urn," and "The Human Seasons."

p. 225: "Elysium = pagan conception of heaven" is written in top margin. "Tented" is underlined in the line "Underneath large blue-bells tented." "Perfume" is underlined, "pronunciation" is written near it in the margin.

p. 226: These lines are bracketed: "Thus ye live on high, and then/On the earth ye live again." "Cloying" is underlined, with question mark in the margin. "Repetition of first 4 lines" is written near last four lines of "Ode on the Poets."

p. 231: Check mark near the title of "The Terror of Death." Rhyme scheme of poem is written out in ink.

p. 232: Check mark near the title of "Ode To a Nightingale," with "Tribute" in margin also. In right hand margin: "Lethe = river of forgetfulness." In bottom margin: "short poem that might be set to music." "Lethe-wards" is underlined, and "river leading to Hades" is written in bottom margin, too.

p. 233: "Dryad" is underlined, "nymph" is written in margin. These words are underlined: "Flora," "Provencal," and "Hyppocrene." These lines are bracketed: "That I might drink, and leave the world unseen,/And with thee fade away into the forest dim." "Nightingale" is written in the space of the stanza break. "Death of brother" is written in the right margin. "Bachus = God of wine" is written in the bottom margin.

p. 234: The line "I cannot see what flowers are at my feet" is bracketed and "night" is written in margin. "Departed music" is written in bottom margin, pointed at the line "To thy high requiem become a sod."

p. 235: These lines are marked in the margin: "Thou was not born for death, immortal Bird!/No hungry generations tread thee down;/The voice I hear this passing night was heard/IKn ancient days by emperor and clown."

p. 236: Check mark near title "Ode to Autumn."

p. 237: Check mark near title "The Realm of Fancy." "Imagination" in margin nearby.

p. 240: These lines are bracketed: "Too much gazed at? Where's the maid/Whose lip mature is ever new?" Written in margin: "Everything spoilt by use." These lines are bracketede: "Let the winged Fancy roam,/Pleasure never is at home."

p. 241: Check mark near the title of "Ode on a Grecian Urn." These lines are bracketed and marked in the margin, with "imagine" in the stanza break above: "Heard melodies are sweet, but those unheard/Are sweeter; therefore, yet soft pipes, play on;/Not to the sensual ear, but, more endear'd,/Pipe to the spirit ditties of no tone."

p. 242: In top margin: "Beauty is transient / thought people on urn would live forever." These lines are bracketed: "'Beauty is truth, truth beauty,' - that is all/Ye know on earth, and all ye need to know." In bottom margin: "learn" and "attic = urn."

p. 243: "Imagine" is written next to first stanza of "The Human Seasons." "Think of youth" is written next to the second. Check mark near this passage: "to let fair things/Passed by unheeded as a threshold brook."

p. 245: "Monday" in top margin.

p. 247: In top margin: "good exp / plajerism [sic] = taking other person's words." This phrase is underlined: "spectacle of that distant, pulsing mystery." In bottom margin and not clearly related to anything: "how pronounced."

p. 251: "Thought is so involved -" is written in bottom margin, after discussion of Browning's poems is opened and the Tennyson quote about understanding only the first and last lines of 'Sordello' is cited.

p. 252: This entire paragraph is bracketed, and three passages of it are underlined: "This fact is, that Browning wrote the greater part of his verses, whether songs or stories, in a fashion wholly different from the fashion of his companion poets. The difference you will quickly see: except in comparatively rare instances, he does not speak to you directly out of his own heart, like Wordsworth, or Byron, or Shelley, or Keats, but indirectly out of the heart and from the lips of some real or imagined character. Browning is, in other words, a dramatic poet."

p. 256: "lyrical dramatist" is underlined.

p. 257: "The wisdom of Browning is not the wisdom of this world" is underlined. This quote from Ecclesiastes is bracketed: "The words of wise men are heard in quiet more than the cry of him thataruleth among fools."

p. 258: This sentence is underlined: "To him, glory and honour lie with the man who has done good work, and with that man only."

p. 259: The titles of these poems are marked: "Cavalier Tunes" and "Pheidippides."

p. 260: "Dramatic monolgue differs from a soliloquy in this: mono = one. While there is 1 speaker the presence of a silent second person is supposed, to whom the arguments of the speaker are addressed. Late day appreciation originated dramatic monologue. Soliloquy = 1 person alone on stage."

p. 261: In top margin: "quick movement of poems. Always optimistic, sure of hereafter." In lines of "Marching Along" that have words in middle of line rhyming with words at end, both are underlined. "Pym" has "member of house of Commons" in margin near it.

p. 262: "member of Commons" in top margin near "Hampden." In margin "Prince - nephew of C [Charles] I" referring to Rupert. In secftion IV, "[short-hand symbol] King Charles" is pointed at Pym. "Rude fellows" is pointed at "carles." "Internal" is written in left margin, referring perhaps to the internal rhymes?

p. 264: In top margin: "Roundheads = purit [??] anon [??] commoner." "Faith" in margin near "fay." In first line of "Incident of the French Camp," "stormed Ratisbon" is underlined.

p. 265: In margin next to section IV of "Incident of the French Camp" is written: "boy put flag in city."

p. 267: The last four lines of the second section of "The Lost Leader" are bracketed.

p. 268: In the poem "How They Brought the Good News from Ghent to Aix," the "o" in the word "postern" appears to have a long vowel sound over it; then in the margin next to section III is written: "place to place."

p. 277: Faint marks in margin near four lines on this page.

p. 278: "Get sense" in left margin next to final stanza of "The Boy and the Angel:" "One vanished as the other died:/They sought God side by side." "Write Herve Riel" is in the right margin.

p. 287: Check mark near the title of "Herve Riel." "Northern coast of France" is pointed at "Hogue." "St. Malo" is underlined, "Rance" is underlined with question marked nearby. "Damfreville" is underlined with "[three short-hand symbols ??] ship or man" in margin.

p. 288: "Right ?" in margin, pointed at "starboard; "port" underlined, with "left" written above it. "Twenty tons" is underlined.

p. 289: At end of section IV of "Herve Riel" this is written in the margin: "coasting pilot? offing?"

p. 290: "distance off shore" and "deep H-2-0" are pointed at "offing."

p. 292: These lines are bracketed: "In the frank blue Breton eyes,/Just the same man as before."

p. 294: "Louvre" is underlined. Last two lines of "Herve Riel" are backeted: "In my verse, Herve Riel, do thou once more/Save the squadron, honour France, love they wife the Belle Aurore!" Check mark near the title of "Pheidippides." "Zeus" and "Her" are underlined, "aegis" is circled. "Pan" is underlined with [short-hand symbols ??] - Zeus" pointed at it.

p. 295: "Archons" is underlined, with "magistrates" pointed at it. "Tettix" is circled. "130 mile run" is written in stanza break. "Eretria" is underlined. "Hellas" is underlined, "Greece" in margin nearby.

p. 296: "Phoibos" is underlined, with "sun" written above it and "Phebus" with long vowel sound above the "e" written beneath it. "Artemis" is underlined, with "light" written above it.

p. 297: "Parnes" is underlined.

p. 298: "Erebos" is underlined, "way to Hades" near it in margin. "Pastures and forests" is written near "Pan." In margin: "Pan = half goat."

p. 299: In top margin: "Pan was in ranks." Illegible word written above greaved-thighed." "Herb" in margin pointed at "Fennel." In bottom margin: "Phidippedis [sic] = Athenian runner."

p. 300 "Athenian [short-hand symbol?]" pointed at "Miltiades." Question mark in margin pointed at "pelf."

p. 302: Check mark near the title of "My Last Duchess."

p. 303: "familiar family [short-hand symbol?]" pointed at "a nine-hundred-year-old name." In bottom margin: "Monologue - 1 person speaking."

p. 308: In bottom margin: "Van Dyke & Kipling."

In top corner of a page listing "Gateway Series of English Texts" is written "Money."

On inside back cover: "Living - Van Dyke, Kipling, Robt. Bridges, Robt. Service, Edgar Guest. Dead - Riley, Whitman, Eugene Field, E.W. Wilcox, Rubaiyet of Omar Khayam." Separated from the aby a line across the page: "Nothing but rivalry speeds me on."

What to listen for in music Inserted between pp. 24-25, a small clipping about volcanoes on Mars erupting about as frequently as those on earth - from Popular Mechanics
All in all No marginalia.
Plight, a book of poems No marginalia.
The Manchester affair No marginalia.
Gasoline No marginalia.
Lost Worlds No marginalia.
Greek art No marginalia.
The whip No marginalia.
Century readings for a course in English Literature There are extensive notations, hundreds of them, throughout this book and they give indication to LN's upbringing in literature. See especially Wordsworth's "Preface to Lyrical Ballads" and his poems. Specifics may be entered at some future date, as time permits.
Do these bones live Fourteen pages (seven sheets) with Dahlberg's "Cipango's Hinder Door" have been cut out of New Directions 15 and tucked between pp. 22-23.
Epitaphs of our times: letters p. 173: Faint mark in margin next to this passage from a letter to Josephine Herbst: "I have had the feeling that no matter how many books a man writes in the United States he is always the author of one volume, that is the last one he wrote. The others are automatically expunged, because nobody bothers to think about them...."

The sorrows of Priapus No marginalia.
Truth is more sacred On last page of book: "p. 105" Page 105 contains quiotes from D.H. Lawrence related to sea and water.
A history of science No marginalia.
The divine comedy Notation on half title page: "From Zukofskys
Easter 1951."

On blank last page: "Sordello p. 228. beautiful reading -mp. 446 Canto VIII Paradisio. Love - XVIII, Purgatorio."
Do you have a poem book on e.e. cummings? No marginalia.
Flowers and leaves No marginalia.
Opera No marginalia.
New poetry out of Wisconsin Notation on first blank page of copy 1: "To Mr. Roub from me."

No marginalia in copy 2.
The journals of Lewis and Clark No marginalia.
Love poems No marginalia.
Selected poems and letters of ____ No marginalia.
Selected poems of This notation on Contents page: "No. 15 of blaze and bronze."
The recognition of ____ No marginalia.
Rameau's nephew and D'Alembert's dream No marginalia.
The human situation Inserted before p. 155: a child's crayon drawing of a flower.
Green universe No marginalia.
Complete poetry of each No marginalia.
Gunslinger, book 1 No marginalia.
The secret life of the flowers No marginalia.
The natural history of a yard No marginalia.
'Letters' No marginalia.
The story of philosophy Book is signed by Will Durant on the first page.

p. 288: This sentence is marked in the margin: "He applied philosophy even to holding up his stockings - by bands passing up into his trousers' pockets, where they ended in springs contained in small boxes."

p. 289: In the phrase "the distorting channels of sense" the word sense is underlined. The sentence following is marked in the margin: "For 'pure' reason is to mean knowledge that does not come through our senses, but is independent of all sense experience; knowledge belonging to us by the inherent nature and structure of the mind."

p. 290: The following sentence is marked in the margin, with an exclamation point along side: "But what if we have knowledge whose truth is certain to us even before experience - a priori?"

p. 293: Portion of a sentence marked in the margin: "only those sensations are selected that can be moulded into perceptions suited to your present purpose, or that bring those imperious messages of danger which are always relevant."

p. 300: This sentence is marked in the margin: "The moral imperative which we need as the basis of religion must be an absolute, a categorical imperative."

p. 302: The start of the paragraph beginning "Notice, meanwhile, that this absolute command..." is marked in the margin.

p. 313: Portion of a sentence appears to be marked in the margin with an "X:" "... and that the mind is no mere helpless tabula rasa, the inactive victim of sensation, but a positive agent, selecting and reconstructing experience as experience arrives."

p. 341: A portion of the following sentence from a quote by Schopenhauer is marked in the margin: "As the human body generally corresponds to the human will generally, so the individual body generally corresponds to the individually modified will, the character of the individual."

p. 350: A portion of the sentence quoted from Schopenhauer that begins "Everyone believes himself a priori to be perfectly free, even in his individual actions..." is marked in the margin. A portion of a sentence from the same quote, ending "... he must carry out the very character which he himself condemns, and as it were, play the part which he has undertaken, to the very end" is also marked in the margin.

p. 382: A portion of the sentence including "... later, the same subject reach the metaphysical stage, and was explained by metaphysical abstractions - as when the stars moved in circles because circles were the most perfect figure..." is marked in the margin.

p. 385: A great portion of the sentence reading "As mathematics had dominated philosophy in the seventeenth century, giving to the world Descartes, Hobbes, Spinoza, Leibnitz, and Pascal; and as psychology had written philosophy in Berkeley and Hume and Condillac and Kant; so in the nineteenth century, in Schilling and Schopenhauer, in Spencer and Neitzsche and Bergson, biology was the background of philosophic thought." is marked in the margin.

p. 398: A portion of the sentence that begins "The growth of planets out of nebulae; the formation of oceans and mountains on the earth; the metabolism of elements by plants, and of animal tissues by men; the development of the heart in the embryo, and the fusion of bones after birth..." is marked in the margin.

p. 419: A portion of the sentence beginning "The professed ethic of Europe and America is a pacifistic Christianity..." may be marked in the margin.

Key to modern poetry No marginalia.
Lawrence Durrell - Henry Miller, a private p. 398: In blank space at end of index: "Balzav 144 Seraphita."
Men of power, volume 2 On first page: "Xmas 1938 To The Heins from Margaret Goetsch

Another time in fragments A poem by Larry Eigner beginning "in all the smog" has been torn out of a magazine (p. 31) and tucked between the poems numbered 16 and 17.
The firmament of time No marginalia.
The immense journey No marginalia.
The unexpected universe Tucked between pp. 132-133 is a newspaper feature about La Brea Tar Pits in Los Angeles, from the Milwaukee Journal, date unknown.
Four quartets No marginalia.
The dance of life "Lorine Niedecker '24" written at top of first page of book.

Written in pencil on last page of book:
"Bertrand Russell -
1. 'Principles of Social Reconstruction.'
2. 'Studies in the Psychology of Sex' - Elis.
3. Principles of Sociology - Barnes-Haynes
categorical imperative"

Written in pencil on inside of back cover:
"110, 111, 109, 103, 89, 85, 84, 70, 134, 135, 140, 155, 163, 169, 320, 325, 342, 348 [underlined in ink, 'versus Senor' written behind it in ink], 190 Explanation [??] of derangement from rule - old as Aristotle."

p. v: Line reading "Rodin that 'slowness is beauty,' and certainly it is..." is marked in margin.

p. vi: One line of sentence reading "We cannot remain consistent with the world save by growing inconsistent with our own past selves" is marked in the margin.

p. vii: Marks in margin near the sentence "I have never seen the same world twice."

p. viii: Portions of these sentences have been marked in the margin: "The diversity of the Many is balanced by the stability of the One. That is why life must always be a dance, for that is what a dance is: perpetual slightly varied movements which are yet always held true to the shape of the whole."

p. xiii: Something seems to have been erased near the final three lines on the page.

p. 18: A portion of this sentence has been marked in the margin: "It was felt to be the conquered rather than the conqueror who needed consolation, and it also seemed desirable to show that no feeling of animosity was left behind."

p. 30: A portion of this sentence has been marked in the margin: "That is why it is only to-day that we in the West have reached the point of nervous susceptibility which enables us in some degreee to comprehend the aesthetic supremacy which the Chinese reached more than a thousand years ago."

p. 36: Something appears to have been erased next to the footnote at the bottom of the page.

p. 70: Two lines including the phrase "Science consists in knowing, Art consists in doing" have been marked in the margin.

p. 84: A mark appears to have been erased from the margin near the 5th-7th lines on the page.

p. 103: The following sentences have been marked in the margin: "Freud regards dreaming as fiction that helps us to sleep; thinking we may regard as fiction that helps us to live. Man lives by imagination."

p. 109: The following sentence portion is marked in the margin: "Ferrero, who occupied himself with psychology before attaining eminence as a brilliant historian, suggested thirty years ago that the art impulse and its allied manifestations are transformed sexual instinct; and the sexual impulse is 'the raw material, so to speak, from which art springs...."

p. 110: The end portion of this quote have been marked in the margin: "... the external features of the male and his external activities ... have been developed out of the impluse of repressed organic sexual desire striving to manifest itself ever more urgently in the struggle to overcome the coyness of the female...."

p. 111: Two lines of this portion of a sentence have been marked in the margin: "... though I was careful to add that the transmutation of sexual energy into other forms of force must not be regarded in itself as completely accounting for all the finest human aptitudes of sympathy and art and religion."

p. 134: Portions of these sentences about Einstein are marked in the margin: "... while those who know him well say that he is 'essentially as much an artist as a discoverer.' As a matter of fact he is an artist in one of the most commonly recognized arts, being an accomplished musician, a good violinist...."

p. 125: Portions of this sentence about music have been underlined and/or marked in the margin: ""It is the most abstract, the most nearly mathematical of the arts - we may recall how music and mathematics had their scientific origin together in the discover of Pythagoras - and it is not surprising that it should be Einstein's favorite art."

p. 137: One line of this sentence appears to have been marked in the margin: "He is disposed to regard many scientific discoveries commonly regarded the work of pure thought as really works of art."

p. 140: Three lines containing "... 'possesses not only truth, but supreme beauty - a beauty cold and austere, like that of sculpture..." have been marked in the margin.

p. 144: There appears to have been an erasure near the last four lines of the paragraph completing on this page.

p. 146: There is a erasure plus a mark remains near the sentence "An absolute prohibition in this matter [split infinitives] is the mark of those who are too ignorant, or else too unintelligent, to recognise a usage which is of the essence of English speech."

p. 149: The line "... modern French to call cliches. We mean thereby the..." is marked with an "X" in the margin.

p. 155: Three lines containing the following sentence are marked in the margin: "It [style in writing] is also defined - and, sometimes I think, supremely well defined - as 'grace seasoned with salt.'"

p. 163: There appears to have been an erasure near the final five lines on the page.

p. 167: There appears to have been an erasure near four lines containing "... where he [Keats] seemed to be concerned with beautiful things, he was really concerned with beautiful words."

p. 168: There appears to have been an erasure near three lines containing "But the attitude of the poet in the presence of Nature is precisely that of Huysmans in the presence of art: it is the programme that interests him."

p. 169: The sentence "We see that the artist in speech moves among words rather than among things" is marked in the margin.

p. 170: There seems to be an erasure marking six lines that start with "... strong love of Nature. The poets who describe Nature...."

p. 190: There is an erasure near this sentence: "It is by the instinctive stress of a highly sensitive, or slightly abnormal constitution, that he is impelled to instil these tendencies into the alien magic of words."

p. 245: Two lines are marked, including the words "... and the word morals essentially means custom."

p. 248: There seems to be an erasure near seven lines starting with "So influential a moralist as Aristotle...."

p. 254: There appears to be an erasure in the margin, underlining of the word "categorical" appears to have been erased, underlining of the word "imperative" remains.

p. 270: Four lines are marked in the margin, including "The artist's work in life is full of struggle and toil; it is only the spectator of morals who can assume the calm aesthetic attitude."

p. 275: Erasure near the phrase "... and even shortly before his death wrote in deprecation of the notion that conformity to duty is the final aim of morality."

p. 276: Erasure near the word "dilettante" which remains underlined.

p. 277: Large erasure in the margin of this page.

p. 278: This sentence appears to be marked in the margin: "To exalt pleasure is to exalt pain; and we cannot understand the meaning of pain unless we understand the place of pleasure in the art of life."

p. 280: Large erasure in this margin of this page. "Zarathustra" remains underlined.

p. 281: Spinoza is underlined. Question mark in margin near statement by Jules de Gaultier to the effect that "Morality is a fact of sensibility...."

p. 299: The word "eugenics" is underlined.

p. 304: The line beginnng "spake Zarathustra..." may be marked. The book Studies in the Psychology of Sex appears to be marked in the footnote at bottom of the page, where he recalls suggesting "that we now have to lay the foundation of a new casuistry, no longer theological and Christian, but naturalistic and scientific."

p. 306: The line with "Principles of Social Reconstruction" at top of page is marked.

p. 312: Is there the hint of an erasure near the sentences "... each has mistaken the one drop of water he has measured for the whole ocean. Art cannot be defined because it is infinite."

p. 320: The sentence "That is 'intuition,' an instinct that has become disinterested" appears to be marked.

p. 322: Lines including "... an art must not be consciously pursued for any primary useful end outside itself" are marked in the margin.

p. 325: The last five lines on the page are marked, with two of them marked again.

pp. 340-341 These sentences may or may not be marked intentionally with dots in margin: "We must seek in the human ego an instinct in which is manifested a truly autonomous play of the power of imagination..." and "The aesthetic instinct alone answers to that double demand."

p. 342: Four lines including the following have been marked in the margin: "Like Gaultier, he believes in what has been called, perhaps not happily, 'the law of irony'; that is to say, that the mark we hit is never the mark we aimed at...."

p. 348: "Ah yes" is written in pencil next to "because they, too, illustrate that faith transcending sight, without which no art is possible." In addition, written in ink beneath the "Ah yes" is "versus Senor!" Written in ink in top outside corner of page: "3 reasons for seclusion: 1. cultivate a detached manner; 2. to watch the world; 3. to instill a faith and a feeling of aloneness" with arrow pointing to phrase "without which no art is possible."
A modern anthology Not reviewed?
Basic selections from essays, poems & pp. 103-119: Underlining has been made throughout the essay "The American Scholar," often several times on a page.

p. 125: In "Works and Days," the entire paragraph bedginning "The days are made on a loom whereof..." has been bracketed in the margin.

p. 201: The entire paragraph beginning "It is not a convenience to have a person in town..." is bracketed in the margin.

Notation on the inside back cover: "p. 125, 201."
Basic writings of America's saga Paper clip on page 165-166. Near "An Addrerss" delivered before a senior class in divinity college, this note: "4 months after leaving ministry." In first sentence of address the word "refulgent" is underlined.

p. 166: Underlined: the sentence beginning "The sentiment of virtue is...." Nearby: "religion." In margin: "[illlegible] relationhip to inanimate [illegible]."

p. 167: "vitiate" underlined. "Corrupt, weaken" written between lines.

pp. 168-169: In margin at top of page: "Reason is highest faculty of soul - power [illegible] we apprehend truth immediately without calculation & proof." "Understanding - everyday truth - intellectual [illegible] varying degrees when reason - deepest truths - is perfect - [illegible]." "Depressing" written next to "privative" at top of page. "god [illegible]" next to word "deifying" in second complete paragraph on page. "Blessing" next to the word "beatitude." The word "Reason" is underlined. "Correctness" in margin next to "rectitude."

p. 170: "Tropes" underlined in last paragraph on page.

p. 171: Star (*) in top margin next to sentence: "It is not one with the blowing clover and the falling rain." In sentence "The soul knows no persons" "knows no" is underlined.

p. 172: Star next to, and parts of this sentence are underlined: "To aim to convert a man by miracles is a profanation of the soul."

p. 173 "Coeval" is circled; in margins: "contemporaneous" and "of same age."

p. 177 Portions of sentence underlined: "...out of memory, and not out of the soul" and "historical Christianity destroys the power of preaching, by withdrawing it from the exploration of the moral nature of man...".

p. 178: "degrading the character of Jesus" is underlined.

p. 179: First seven lines of last paragraph on page (beginning "Yourself a newborn bard...") are marked in the margin.
Society and solitude A review by Lewis Mumford of Emerson's Journals and and a book of his early lectures is tucked into the book. Review appears to have been published in the New York Review [of Books?], January 18, 1968.
The heart of Emerson's journals No marginalia.
The portable Emerson p. 180: The line with the sentence beginning "We must obtain that, if we can..." is marked in the margin.
The selected writings of ____ p. v: "The Over-Soul" in "Contents" is marked with a checkmark.
Herr Eugen Duhring's revolution in science No marginalia.
The place where I am standing: poems No marginalia.
The insect world of ____ No marginalia.
Greek science, books 1 and 2 No marginalia.
The story of Thomas More Tucked between pp. 54-55, an article from January 17, 1962 Milwaukee Journal regarding Thomas More.
Citizen Tom Paine No marginalia.
Interpretations of American literature No marginalia.
Gandhi p. 8: Marks in the margin and underlining for the first, third, fourth, and fifth paragraphs on the page.

p. 18: Mark in margin from the words "'He is a devotee who is jealous of none..." to the end of the paragraph. Bracketing in next paragraph from the words "'He who is ever brooding...'" to the end of the paragraph.
Poems from the Greek Anthology No marginalia.
Tender is the night Not reviewed?
Selected letters No marginalia.
Portraits from life p. 169: The beginning and end of the paragraph beginning "These slightest shades of English ruling-class life..." are lightly marked in the margin.
Two cheers for democracy No marginalia.
Modern science and its philosophy No marginalia.
Ezra Pound No marginalia.
The age of belief No marginalia.
Letters Not reviewed?
May man prevail p. 30: Several lines beginning with the sentence that starts "We feel superior to the Aztecs" have been marked in the margin.

p. 69: Several lines beginning with "... materialism is supposed to mean that the main motivation in man..." have been marked in the margin.

p. 71: Several lines beginning with "A man who lives by the favor of another..." have been marked in the margin.

p. 81: Several lines beginning with "The Soviet system is an efficient..." have been marked in the margin.]
Basic teachings of the great philosophers No marginalia.
Vision and design No marginalia.
A history of philosophy No marginalia.
Thew Birth and Death of the Sun No marginalia.
Winslow Homer Post card of Homer's "Palm Tree, Nassau" to Lorine in Ft. Atkinson tucked between pp. 180-181, from Bob Nero, postmarked Feb. 12, 1970 from New York, NY: "Just noteds in Jim Lowell's Asphodel catalog that he has a copy of Mina Loy's Lunar Baedeker & Time Tables for sale for $10.00 - Expensive or else I'd get it for you - But perhaps you are interested in getting it. Bob Nero."

Post card of Homer's "Sloop Bermuda" to Mrs. Al Millen in Milwaukee tucked between pp. 216-217, from GR [Gail Roub?], postmarked Ft. Atkinson, Jan. 13, 1967: "Delighted to hear of your poem's acceptance. Perhaps they agonized over the JFK as I did - or needed the reference toi Bay of Pigs. I must subscribe to Poetry. Envy you the fresh paint job. Could use one myself. GR"
The Poems of Catullus No marginalia.
The creative process No marginalia.
The creative process No marginalia.
Life with Picasso pp. 52-54: X in the margin on p. 52 at the sentence starting "On the easel was a canvas...." X in the margin on p. 54 at the end of the paragraph beginning "I told him that if he had never painted..." which is where a section of the chapter ends.
Howl, and other poems No marginalia.
The great writings of ____ No marginalia.
Only in America No marginalia.
Winslow Homer Newspaper clipping with color copy of Homer's "West Point, Prout Neck" tucked between 30 and 31.
Wine of life No marginalia.
The Pocket Guide to the Wildflowers No marginalia.
Sound and the form in modern poetry No marginalia.
The Greek way to western civilization On blank page at front: "Xmas 1949." Then, in child's hand: "Paul."

Tucked between pp. 42-43 is a newspaper feature article entitled "The City Planners of Ancient Greece" from the Milwaukee Journal, November 25, 1962.
The Roman way No marginalia.
Selected peoms of ____ No marginalia.
Introducing Shakespeare No marginalia.
Scientists as writers No marginalia.
The good soldier, Schweik No marginalia.
Philosophy for pleasure No marginalia.
The Hazlitt sampler No marginalia.
Bitter-sweet poems No marginalia.
A moveable feast Illegible signature on first page, possibly ending with "Millen," plus date: 3rd July 1969.

p. 9: Marked: "... and I kept away from it because of the smell of dirty bodies and the sour smell of drunkenness."

p. 11: Marked: "I was writing about up in Michigan and since it was a wild, cold, blowing day it was that sort of day in the story."

p. 12: Marked: "The story was writing itself and I was having a hard time keeping up with it." And: "... I entered far into the story and was lost in it. I was writing it now and it was not writing itself and I did not look up...."

p. 13: Marked: "I read the last paragraph and then I looked up and looked for the girl and she had gone." "Half-carafe" is marked at the hyphen, with "demi" in the margin. Marked: "leaving on the sea taste and the succulent texture, and as I drank their cold liquid...."

p. 14: Marked: "I did not know it was too early for that because I did not know Paris well enough." And: "'Maybe it will be find and clear when we come back. It can be very fine when it is clear and cold.'"

p. 15: Marked: "Because of the change in altitude I did not notice the grade of the hills except with pleasure, and the climb up to the top floor of the hotel where I worked, in a room that looked across all the roofs and the chimneys of the high hill of the quarter, was a pleasure."

p. 16: The sentences beginning as follows are marked in margin: "Up in the room I had a bottle,..." "I always worked until I had something done,..." and "It was easy then because there was always one true sentence...."

p. 17: The sentences beginning as follows are marked in margin: "I was trying to do this all the time I was writing,..." "Going down the stairs when I had worked well,..." and "I went there nearly every day...."

p. 18: This passage in a description of Gertrude Stein is marked: "... her lovely thick, alive, immigrant hair which she wore put up in the same way she hade probably worn it in college. She talked all the time and at first it was about people and places."

p. 19: The sentences beginning as follows are marked in margin: "Afterwards she explained to me,...." and "They seemed to like us too and treated us...."

p. 20: Four passages on page have been marked, more than half the page.

p. 21: Passages that start as follows are marked in margin: "I know that I was walking,..." "...gave me the natural eau-de-vie,..." and "...about modern pictures and about painters...."

p. 22: About half the page has been marked in the margin. Question mark in margin re. "unbelievably" in "the unbelievably long book call The Making of Americans."

p. 23: The sentences beginning as follows are marked in margin: "For publication in the review,..." Miss Stein thought that I was too uneducated about sex,..." and "Under question I tried to tell Miss Stein that when you were a boy...."

p. 24: The sentence beginning as follows is marked in margin: "But I was always careful of my language...."

p. 25: In margin near second line on page is: "Cocteau?" as an attempt to identify which writer is being spoken of.

p. 26: Three pages are marked, constituting nearly half the page.

p. 27: The sentences beginning as follows are marked in margin: "She wanted to know the gay part,..." and " "The other things I did not talk of...."

p. 28: The sentence beginning as follows is marked in margin: "I could no see, then, that he was a dead man...."

p. 29: Four passages are marked in the margin. "Genet" is also written in margin near sentence beginning "Janet Flanner gave me...."

p. 30: Three passages are marked in margin, nearly half the page.

p. 31: Three passages are marked in margin, nearly half the page.

p. 32: Two paragraphs are marked in margin, beginning with "'Really?' I said."

p. 33: The sentences including the following are marked in margin: "I thought of Miss Stein..." and "...in his delirium, thinking they were crying againswt him...."

p. 35: The sentences beginning as follows are marked in margin: "The photographs all looked like..." and "She had pretty legs...."

p. 36: Three paragraphs are marked in margin, beginning with: "'When does Joyce come in?' I asked."

p. 37: Two paragraphs are marked in the margin, beginning with: "'Larbaud lived there,' she said."

p. 38: The sentences beginning as follows are marked in margin: "And we'll never love anyone else..." and "'We're always lucky,' I said...."

p. 40: Three passages are marked on the page, nearly half the page.

p. 41: Check mark in margin near the line: "... and there was a small park at the water's edge...."

p. 42: Three passages are marked on the page, nearly half the page.

p. 43: The sentence beginning as follows is marked in the margin: "I did not fish because...."

p. 44: This passage is marked in margin: "... it was as though a young person had died for no reason."

p. 46: Sentence beginning "'No. We'll just figure...'" is marked in margin.

p. 47: Three passages are marked in margin. "(cheaply?)" is written in margin near sentence: "We ate well and cheaply and drakn well and cheaply and slept well and warm together and loved each other."

p. 49: Most of page is marked in margin.

p. 51: "not describe" is underlined in the passage: "... always talking about how to make thinigs true, writing them, and put them rightly and not describe." Last four lines on page are marked in margin.

p. 53: Last paragraph on page is marked in margin.

p. 54. Three passages are marked in margin.

p. 55: Two passages are marked in margin.

p. 56: Four passages are marked in margin.

p. 57: Two passages are marked in margin.

p. 58: Two passages are marked in margin.

p. 59: One passage is marked in margin.

p. 67: Two passages are marked in margin.

p. 68: Two passages are marked in margin.

p. 69: Four passages are marked in margin.

p. 70: One passage is marked in margin.

p. 72. Three passages are marked in margin.

p. 73: One passage is marked in margin.

p. 74: Two passages are marked in margin.

p. 75: Two passages are marked in margin. In margin near one of them, this note: "of WCW's poem (reeking of garlic)."

p. 76: Two passages are marked in margin.

p. 77: Three passages are marked in margin.

p. 78: One passage is marked in margin.

p. 79: Two passages are marked in margin.

p. 80: One long passage is marked in margin.

p. 82: In margin: "but EH knew damn well that he was working where interruption was only too likely."

p. 83: One passage is marked in the margin.

p. 85: Two passages are marked in margin.

p. 86: One passage is marked in the margin.

p. 89: Two passages are marked in margin.

p. 90: Two passages are marked in margin.

p. 92: Two passages are marked in margin. "Ca va?" in margin near the first of them.

p. 93: Three passages are marked in margin.

p. 94: Two passages are marked in margin. "But EH said it" in margin near the first.

p. 95: Question mark in margin near underlining of "Japanese artists that Ezra knew." "Cf . [illegible names]" is also in margin. The sentence beginning "Dorothy's paintings I liked very much..." is marked in margin.

p. 96: Three passages are marked in margin.

p. 97: Two passages are marked in margin.

p. 98: "unsuccessful rapist" and "explained them" are underlined.

p. 99: Two sentences starting with "Ezra founded something called Bel Esprit..." are marked in margin. "Natalie Barney" is underlined in this passage. "Were these the US women I met in Paris?" is written in margin.

p. 100: "pretending" is underlined in first line on page. Passage beginning with "I think it had something to do with..." is marked in margin.

p. 101: Two passages are marked in margin.

p. 102: Two passages are marked in margin.

p. 103: Two passages are marked in margin.

p. 104: Three passages are marked in margin.

p. 105: Two passages are marked in margin.

p. 108: Two passages are marked in margin.

p. 109: Three passages are marked in margin.

p. 110: Two passages are marked in margin.

p. 111: Three passages are marked in margin.

p. 112: One passage is marked in margin. Illegible names in margin nearby - possibily "Jane Heap?" and "Niki?"

p. 114: Three passages are marked in margin.

p. 115: Final seven lines on the page are marked in the margin.

p. 116: One passage is marked in margin.

p. 117: In passage about Evan Shipman, the words "fine poet" are underlined.

p. 118: One passage is marked in margin.

p. 119: One passage is marked in the margin. "[C]an't be" is underlined in passage "'It can't be the translation," with "but to a large extent it is" in margin. Question marked in margin next to "you can't reade Dostoevsky over and over."

p. 120: One passage is marked in margtin.

p. 121: Three passages are marked in margin.

p. 122: One passage is marked in margin.

p. 123: Three passages are marked in margin.

p. 124: One passage is marked in margin.

p. 125: Two passages are marked in margin.

p. 126: Four passages are marked in the margin, with some underlining.

p. 127: One passage is marked in the margin.

p. 128: One passage is marked in the margin.

p. 129: Two passages are marked in margin.

p. 130: One passage is marked in margin.

p. 131: One passage is marked in the margin.

p. 132: One passage is marked in margin.

p. 133: Four passages are marked in margin.

p. 134: Two passages are marked in margin.

p. 135: Two passages are marked in margin, with some underlining.

p. 136: Four passages are marked in margin.

p. 138: Two passages are marked in margin.

p. 139: One passage is marked in margin.

p. 140: One passage is marked in margin.

p. 141: One passage is marked in margin.

p. 142: Four passages are marked in margin.

p. 144: "my father" is underlined.

p. 145: Two passages are marked in margin.

p. 146: Two passages are marked in margin.

p. 147: Two passages are marked in margin. Check mark in margin near passage "... I felt the dealth loneliness that comes at the end of every day...."

p. 148: Three passages are marked in margin.

p. 149: Two check marks in margin, one underlining.

p. 150: One passage is marked in margin.

p. 151: Two passages are marked in margin.

p. 152: One passage is marked in margin.

p. 154: Two passages are marked in margin.

p. 155: Three passages are marked in margin.

p. 156: Two passages are marked in margin, with question mark near the first.

p. 157: One passage is marked in margin.

p. 159: One passage is marked in margin.

p. 160: "Already?" is in margin near this sentence: "It lookied the book-jacket for a book of bad science fiction." One other passage on page is marked in margin.

p. 161: Two passages are marked in margin.

p. 163: One passage is marked in margin.

p. 164: Marked in margin, and with question mark: "He laid the failure to Paris, the town best organized for a writer to write in that there is...."

p. 164: One passage is marked in margin.

p. 166: One passage is marked in margin.

p. 167: Three passages are marked in margin.

p. 169: Two passages are marked in margin.

p. 170: One passage is marked in margin.

p. 171: Two passages are marked in margin.

p. 172: Two passages are marked in margin.

p. 173: One passage is marked in margin.

p. 174: Two passages are marked in margin, with an illegible name near the first of them.

p. 179: One passage is marked in margin.

p. 182: One passage is marked in margin.

p. 184: One passage is marked in margin.

p. 188: One passage is marked in margin.

p. 189: Three passages are marked in margin.

p. 190: Three passages are marked in margin.

p. 191: Four passages are marked in margin.

p. 192: Two passages are marked in margin.



Men at war No marginalia.
An introduction to haiku No marginalia.
William Morris Tucked between the cover and first page is a newspaper clipping of a review entitleed "Wholly Innocent," from the New York Times Book Review, January 21, 1968, by John Russell. The review examines this biography of Morris by Philip Henderson and Ray Watkinson's William Morris as Designer.

On first page: "Millen" in LN's handwriting, in ink.

In ballpoint pen on back flyleaf: "born 24 March 1834."

New Green World No marginalia.
Some poems Not reviewed??
Modern poetry: eEssays in criticism No marginalia.
The iliad Incribed on blank page at front of book: "from Paul to Lorine, Feb. 14, 1952."
The odyssey Inscribed on blank page at front of book: "Happy Thanksgiving from Paul Zukofsky, 1949."
The odyssey No marginalia.
A selection of his poems and prose Notation on inside of back cover: "14, 188, 189, 190, 191, 197, 198, 199, 225."

p. 188: "... undo the very buttons of my being..." is underlined.

pp. 190: Paragraphs beginning "What you write of Apuleius..." and "By the by when I was at Oxford..." are marked with small dots in the margin.

p. 191: The line that reads "... vexation of spirit" is marked with small dot in the margin.

p. 197: The paragraphs beginning "I have some musical matters..." and "You saw and liked some music..." are marked with small dots in the margin.

pp. 198-199: Paragraphs beginning "If this letter is dull...," "Nov. 12 - You asked me for some time...," and "I must write something..." are marked with small dots in the margin.
The complete works of ____ No marginalia.
The sense of Shakespear's sonnets No marginalia.
An enquiry concerning human understanding No marginalia.
New poems by American poets No marginalia.
Autobiography A tiny news clipping is tucked between pp. 8-9, apparently quoting from "Byron's Letters" about Leigh Hunt.

p. 502, in bottom margin of index page: "fire-fly - 390."

On art and artists No marginalia.
Knowledge, morality, and destiny, essays No marginalia.
Man in the modern world No marginalia.
The lost weekend No marginalia.
Casebook of 'The Turn of the Screw' Note on blank last page: "Index The Sacred Fount - Edmund Wilson p. 123."
Daisy Miller No marginalia.
Daumier No marginalia.
Parisian sketches No marginalia.
Selected letters No marginalia.
The American novels and stories No marginalia.
The American scene No marginalia.
The art of travel No marginalia.
The tragic muse No marginalia.
The turn of the screw No marginalia.
The Varieties of Religious Experience Notation on inside of end sheet: "78-79, 85, 86, 140, 498, 499, 505, 509."

p. 505: Dot in margin near phrase "... the fact that the conscious person is continuous with a wider self...."

p. 509: Dot in margin near the sentence beginning "The whole drift of my education...."
The picture history of painting from cave Notes on last page of book naming "Rocco - 17th cent." painters; 18th century painters; and 19th century painters. Additional notes on inside back cover are covered over by library's pocket for date due card.
Poetry and the age No marginalia.
Autobiography of ____ p. 109: The line reading "the rest with pistols, swords, pikes, pruning-hooks, scythes..." may be marked in the margin with a dot.
The Soviet power No marginalia.
Lives of the poets No marginalia.
Life on other worlds p. 39: Page number is circled. Words underlined in second full paragraph on page: "...may be expected to possess an atmosphere" and "telescope."

p. 70: Portion of first complete paragraph on page is marked in margin at sentence beginning "Such a distance may seem large..." to the end of the paragraph.

Notation on last (blank) page: ". 70."
A portrait of the artist as a young man No marginalia.
Letters to Milena No marginalia.
Keats' well-read urn, an introduction to literary No marginalia.
Selected letters Notation on blank last page: "Feb. 14-May 3 to Ginger in Kentucky."
The poetical works of ____ No marginalia.
Wyndham Lewis No marginalia.
The journals of ... No marginalia.
I was Hitler's doctor No marginalia.
Fables No marginalia.
Political philosophy On first page: "Lorine Niedecker - Junior Year."

Several check marks on table of contents.

p. 29: "coming up" is written in top margin.

p. 55: Marked in margin: "The perfect political machine is fast superseding the lobbyist."

p. 141: Mark under dqate "1917" at end of a speech "On Children's Bureau."

pp. 168-169: Three sentences are bracketed, beginning with "I was a member of the house of representatives in 1886."

pp. 175: 177: The paragraph starting at bottom of p. 175 and much of p. 176 are marked in the margin. Much of paragraph ending at top of p. 177 is marked in margin.

p. 190: First three paragraphs of Chapter XIV "Militarism - Prepared Should Be For Defense" are bracketed and marked with big check mark.

p. 224: Most of the only complete paragraph on the page is marked in margin with a bracket.

p. 228: Bracketed passage: "Who does the senator think are the people of this country? Is it the 2 per cent, owners of two thirds of the wealth, or is it the 98 per cdent of the population who have to divide among themselves...."

p. 251: Second half of first paragraph of Chapter XIX on the Peace Treaty and the League of Nations is bracketed in margin, with a big question mark.

p. 256: First complete paragraph on p. 256 is bracketed, with "Very Good" written in mafrgin. All of "Denial of Justice to Egypt" is bracketed.

p. 257. Final ten lines on page, about "The War in Retrospect," is bracketed.

p. 258: Three paragraphs on page are bracketed, with "quotre" in margin near the first of them, and "confidence in Wilson? No." near the third.

p. 259. Two passages on page are bracketed. The word "hatred" is in margin on page, unrelated to brackets..

p. 260: Second paragraph on page to endof speech is bracketed, with a check mark in margin. "Status Quo" is circled in "League of Nations to Preserve Status Quo" with question mark near it. First paragraph of this speech is bracketed and marked "good."

p. 261: End of first paragraph on page is bracketed, with question mark. "This covevant" in second paragraph is marked. "Well, war in India?" is written in margin nearby.

p. 262: Two passages are marked in margin, with check marks.

p. 266: "Rebuttal" is written in margin and paragraph ending at top of page is marked in margin.

p. 267: Paragraph beginning "How puny appear the ambitions of Germany" is bracketed, with check mark in margin.

p. 268: Last paragraph on page is bracketed, with check mark in margin.

p. 270: Two paragraphs are bracked, with check mark.

p. 273: Paragraph beginning "These jugglers with the world's destiny..." is marked in margin.

p. 274: "The commercial interests of the British Empire overtopped the human rights of martyred Ireland."

p. 417: Two paragraphs on page are bracketed and marked with check marks in margin.

p. 418: Second paragraph on page is bracketed and marked with check mark in margin.

p. 419: Second full paragraph on page is bracketed.

p. 423: Large check mark in margin near index entry for the League of Nations.

Dialogue on George Santayana No marginalia.
The Philosophy of Humanism No marginalia.
The way of life p. 17: in top margin of page: "A sound Confucianism is the outward manifestation of Taoism (as Lao-Tze himself taught it). Lao - - mysticism in the form of natural truths. Havelock Ellis: 'has the mystic's heart but also the physicist's touch & the biologist's eye."

p. 93: Two lines including "describes the highest good as being like water" are marked in the margin.

p. 105: Lines reading "Live within yourself; do not exhaust yourself in the world as it is" are marked in the margin.

At top of second last page of the book, these (page?) numbers are listed: 11, 15 [crossed out], 14, 23, 25, 35, 40, 46, 47 [inserted above], 48, 51, 52, 67, 68.
Quello che la matita scrive Inscription on blank page at front of book: "for Lorine Niedecker - I'm a devoted admirer of her work - J Laughlin"

p. 12: Corrects typo "ligth" to "light."

p. 22: Corrects typo "nigth" to "night."

p. 40: Corrects wrong order of lines and wrong stanza break in final two stanzas.

p. 86: Corrects "Way" to "May" in attribution of a quote from Fortune magazine.
Etruscan places Two newspaper clippings have been tucked between pp. 66-67. One is "Estruscans, the Mystery People" by Jay Scriba, published by the Milwaukee Journal, Sept. 25, 1970. The other is part of an article about "Whistler's Mother," no date, no newspaper of publication.

Last page: "Asphodel p. 19."

Selected Letters, ed. by Diana Trilling Tucked between pp. 124-125 is part of a page torn from a magazine, with a poem bvy George Aldis titled "Portrait of D.H. Lawrence."

On fourth page from back: "p. 10 - religion."
St. Mawr and the man who died No marginalia.
Studies in classic American literature In list of Anchor Books at back, this title is marked in the margin: Lawrence, D.H. Sea and Sardinia and Selections from Twilight in Italy.
Twilight in Italy No marginalia.
Pansies, poems No marginalia.
Seven pillars of wisdom No marginalia.
Motive and method in the Cantos of Ezra No marginalia.
Human destiny p. 70: The entire paragraph beginning m"The Pre-Cambrian sandworms were probably not very different..." is marked in the margin.

p. 78: The sentence beginning "Evolution continues in our time..." at the start of the last paragraph on the page is marked in the margin.
Cider with Rosie No marginalia.
Thomas Jefferson, American humanism No marginalia.
Materialism and empirio-criticisms No marginalia.
The four loves No marginalia.
Practical English for high schools "Lorine Niedecker" is on first line of first page." "A.T." is on second line.

p. 32: Notations in margin: "J. Sp. loon gone G."

p. 37: In margin: "Fire."

pp. 40-43: Several sentences and paragraphs are marked.

pp. 46-47: Paragrphs bracketed, check marks in margins.

p. 49: "Write" next to an assignment.

p. 50: Notations, including "oral" spelled "orral."

p. 63: Bracketing of text started.

p. 68: Bracketing of text ended.

pp. 108-111: In practice section, lots of verb tenses are written out.

p. 118: In margin: "Than and as are conjunctions, not prepositions."

pp. 121-122: Words written out again in practice section.

pp. 129-130: Notations, underlinings, and practice in margins, including: "ly - manner of."

p. 142: "Bring in list" in margin.

pp. 147-148: Notations re. "Terms Often Confused In Use."

pp. 150-152: Usage of "shall/will" marked in margin. Underlining. "Supercilious" underlined, with "superficial" in margin.

pp. 156-158: Underlinings.

p. 167: "When used" and "necessary marks?" in margin.

p. 169: "O'clock" at top of page. Question mark next to paragraph about nonrestrictive phrases and clauses.

pp. 171-173: Notation and bracketing re. Rules od Punctuation and restrictive/nonrestrive clauses.

pp. 175-177: Notation about apostrophe, practice with question mark and exclamation, etc.

p. 196: Very light writing or erasure, illegible.

p. 200: "Summary sentence" in mkargin.

p. 267: Check mark in margin next to: "A pleasing method of presentation helps to persuade."

p. 390: The rhree books that are marked in list of ones "useful to one who is studying the vocations:" Fowler, Starting in Life. Parsons, Choosing a Vocation. Weaver, Profitable Vocations for Girls.

On last page: "like ~ ."





Time and western man No marginalia.
The wisdom of China and India No marginalia.
The letters of Franz Liszt to Mare zu This notation on last page: "Prefaces page 21, 29, 34, 37, 68, 72, 102, 110, 115, 123, 129, 135, 175, 205, 216, 237, 242, 274, 275."
On the nature of things No marginalia.
Letters Review of The Life of Niccolo Machiavelli by Roberto Ridolfi has been tucked between pp. 90-91.
The life of the bee No marginalia.
Thure Kumlien--Koshkonong naturalist Handwritten on the inside front cover: "Autographede by the author Angie Kumlien Main, for Lorine Niedecker."
Yellow-headed blackbirds at Lake No marginalia.
Selected poems No marginalia.
Jefferson and the rights of man No marginalia.
Jefferson the Virginian No marginalia.
Anti-Memoirs No marginalia.
Journal These numbers are recorded on the last page of the book: 13, 62, 71, 83, 89, 227, 231, 248, 200, 210

Beethoven "Lorine Niedecker Millen" on first page.
Creative intuition art and poetry Two copies.
No marginalia in either copy.
Creative intution in art and poetry Not reviewed?
Frames of a story On first page: "Novembver, 1970. To Lorine - with deep admiration - Daphne"
Selected Correspondence of Karl Marx and Friedrich Engels p. 548: Under index entry "Science and dialectic" p. 322 is marked.

On second last page: "p. 322."
The Notebooks of Henry James p. 101: There seem to be two intentional marks in the margin related to the phrases "He rates T. very high..." and "... of all the deep and the delicate - and of London and of art, and of everything...."
Portraits (In French) Le Cercle du Liore de No marginalia.
Introduction to Aristotle No marginalia.
Selected poems No marginalia.
Stories, poems and letters In Copy #1, p. 363: first and second paragraphs of letter to Evert A. Duyckinck are marked.

No marginalia in Copy #2.
The confidence-man No marginalia.
Raids on the unspeakable Tucked between pp. 138-139 is a newspaper clipping of a New York Times Book Review review by Robert Coles of two books by Thomas Mereton; the article is entitled "Bringing Words Out of Silence." Date is December 23, 1984.
The Way of Chuang Tzu On first page: "for Lorine - Peace -
Tom"

Genoa No marginalia.
On liberty, representative government, and Much marginalia, underlinings, and marks in margins on pp. 5, 6, 8, 9, 10, 11, 12, 13, 14, 15, 17, 18, 19, 20, 22, 23, 24, 25, 26, 27, 28, 29, 30, 32, 34, 35, 36, 37, 41, 43, 44, 46, 49, 51, 52, 53, 57, 58, 59, 60, 61, 62, 65, 68, 69, 72, 74, and 87.
Letters Notation on last page of the book: "105."
On writing No marginalia.
Stand still like the hummingbird No marginalia.
The wisdom of the heart No marginalia.
The disappearance of God No marginalia.
Consciousness In Concord: The Text of Thoreau's Lost Journal 1840-1841 No marginalia.
Areopagitica Name on first page of book: "Patricia Sigl."

p. 4: Check mark next to line 27.

p. 5: "Outline" in margin next to line 12. Portions of olines 26-28 are underlined.

p. 6: Portions of lines 3-5 and 18-21 are underlined.

p. 12: "X" in margin near line 26; lines 26-32 are underlined.

p. 15: Line 28 is underlined.

p. 18: Portions of lines 9-13 are underlined.

p. 37: Lines 24-25 are marked in margin.

p. 38: Check marks in margin at lines 22 and 29.

p. 43: Check mark in top outside corner of the page. Lines 3 and 4 each have a check mark in margin, plus an "X" in margin.

p. 44: "Collection" is handwritten above line 12 near the word Syntagma.

p. 49: Line 10 is partially underlined and lines 10-15 are marked in the margin.

Notation on a slip of paper between pages 66-67: "I - Authors of the book licensing system."

p. 67: Check mark in the margin near Note #7.
L'Allegro, Il penseroso Notes on inside front cover and first page of book:
- "No. 7 Oshkosh, Wisconsin"
- "St. Peter's High School, Oshkosh, Wisconsin"
- "Helena Gerdes"
- "T. Herkel Artist"
- "10 cents"
- "St. Peter's High School"
- "John McCormick"
- "Rose Wuech"
- "Wally Gerdes"

p. 1: Six words on page are underlined. "Zone, corn, cur" are written near line 11.

p. 2: Lines 25-36 are marked in the margin with the word "Memory" near. Line 41 has "X" and "Morn" in margin.

p. 3: Line 69 has "X" and "Morn" in margin.

p. 4: Three words on page are underlinied. "Noontide" in margin near line 90. "Afternoon" in margin near line 99.

p. 5: "X" and "end" in margin at line 114. "Hymen" checked in line 125 and "god of morning" written in margin.

p. 8: Lines 32-44 are bracketed in margin. Line 31 is check marked. "Choir of Angels Mem." written in margin. Line 45 has "Companion" written near it. "Peace" in line 45, "Fast" in line 46, and "Contemplation" in line 54 have a "C" near them.

p. 25: In space at middle of page "[illegible] Begin Mon" is handwritten.

p. 28: "X" near the end of line 18.

p. 31: "X" in margin at top of page.

p. 39: Line 730 is marked in margin.

p. 54: Lines 131 & 132 are each marked with an "X."

p. 55: Line 177 is marked with an "X."

Notation on inside back cover: "p. 139-158."
Samson Agonistes Name written on inside front cover is "Patricia Sigl."

p. 11: "his state is mirror of" is written in margin next to line 164.
Man--his first million years No marginalia.
Selected essays Notation on title page: "'With all my heart I embrace the grand old sloven.' - Emerson"
The leading facts of English history On first page: "Harold W. Hein."

The intelligent heart No marginalia.
Nevertheless No marginalia. Printed errata regarding transposed lines is also noted in handwriting on p. 5.
The complete poems of ____ No marginalia.
Humanism as the next step A printed slip about the authors is tucked between pp. 56-57.
The last days of Shelley and Byron pp. 81-82: Paragraph beginning "'Luff!' said Williams..." is marked at the start and next paragraph beginning "The main-sheet was jammed..." is marked at its end.

p. 83: Paragraph beginning "People think I must be a bit of a sailor..." is marked at start and end.
Memoirs No marginalia.
The story of my boyhood and youth No marginalia.
The human prospect No marginalia.
William Blake No marginalia.
Poets on poetry No marginalia.
Voyages to the moon No marginalia.
Blue chicory Not reviewed.
My life by water: collected poems, 1936-1968 Not reviewed.
North central Not reviewed.
Thus spake zarathustra p. 11: Marks made in margin along paragraph that concludes at top of the page.

p. 19: Mark and illegible notation made near sentence "My most creative moments were always accompanied by unusual muscular activity."

p. 32: Paragraph beginning "No shepherd and one herd!" is marked in the margin.

p. 52: Paragraphs beginning "And lo! Then has thou..." and "Let thy virtue be too high..." are marked in the margin.

p. 58: Paragraph with this sentence is marked in the margin: "Many a soul one will never discover, unless one first invent it."

p. 60: Notation in the margin: "I gave up my highest hope to be merely a sensualist."

p. 72: Paragraphs beginning "Far too long hath there been a slave..." and "As yet woman is not capable of friendship: women are still cats..." are marked in the margin.

p. 74: Paragraph beginning "Older is the pleasure in the herd..." is marked in the margin.

p. 77: Paragraph beginning " He who seeketh may easily get lost..." is marked in the margin.

p. 80: Paragraphs beginning "Two different things wanteth..." and "A plaything let woman be..." are marked in the margin.

p. 81: Paragraphs beginning "The happiness of man..." and "Thou goest to woman?" are marked in the margin.

p. 199: Paragraphs beginning "One must learn to love oneself..." and "Such roving about christeneth itself..." are marked in the margin.

p. 200: Paragraphs beginning "And verily, it is no commandment..." and "For to its possessor..." are marked in the margin.

p. 204: Paragraphs beginning "There was it also where I picked up..." and "That man is a bridge..." are marked in the margin, along with this note: "ideas of N."

p. 214: Paragraph beginning "All the swarming vermin..." is marked in the margin.

p. 285: Paragraphs beginning "Thus spake Zarathustra; the kind on the right..." and "Ye higher men, learn this..." are marked in the margin.

p. 286: Paragraphs beginning "Ye higher men, - so blinketh...," "Before God! - Now however, this God hath died. Before the populace...," and "The most careful ask today..." are marked in the margin.

p. 290: All of Section "12" is marked in the margin.

p. 314: "idea" is written in the margin next to paragraph beginning "But we do not all want...."

In "Complete List of Titles" at the back of the book, the following titles are marked: A Modern Book of Criticisms edited by Ludwig Lewisohn; Short Stories by Balzac; Sapho by Daudet; Free and other stories by Dreiser; Madame Bovary by Flaubert; A Doll's House etc. by Ibsen; Sons and Lovers by Lawrence; In a Winter City by Ouida; Poems by Swinburne; Salome, etc. by Oscar Wilde; The Woman Question symposium; Irish Fairy and Folk Tales by Yeats.

On blank last page and inside the endsheet, these numbers and notations are recorded: "58, 59, 32, 72, 74, 77, 80, 11, 81, 52, 199, 200, 204, 214, 285!, 286, 290, 314" and "Where did phrase 'Happiness of the greatest number' originate - it merely opposed to concentration of goodness & happiness? Did the expression Will to Power originate - N.? How many people know Neitzsche? Such a thing as this is so far removed from daily life - 'All [illegible] is wrong' saith the herd. (My hatred of common [illegible - people??])" Written crossways: "he wants old values of things broken up."

Ezra Pound A clipping from The New Republic of an article about Ezra Pound by Reed Whitmore is tucked between pp. 106-107.

A newspaper clipping from the Milwaukee Journal, November 2, 1972, reporting the death of Ezra Pound, is tucked between pages 232-233.

The legend of the master, Henry James No marginalia.
Call me Ishmael No marginalia.
Selected writings No marginalia.
Discrete series No marginalia.
1984 No marginalia.
The Art of Love No marginalia.
The metamorphoses No marginalia.
Magic into science: the story of Paracelsus No marginalia.
Thomas Jeffereson on Democracy Notation on inside front cover: "Bought in Bemidji, Minn. July '69 at Bookcraft."
Golden treasury No marginalia.
Pensees No marginalia.
Safe conduct Notation on last page: "p. 270 - last two verses"
Canada No marginalia.
Scottsboro boy No marginalia.
The gold of Troy No marginalia.
The white pony Tucked between the front cover and the first page is an October, 1956, magazine article by Doo Soo Suh entitled "The Korean Mind: As Revealed Through Classical Poems. On it in green ink, apparently directed to LN, is this note: "I found this when I was clipping some magazines - I thought you might enjoyh it for your collection." Comment on one of the poems quoted in the text: "wonderful." The line "The delight of a mountain hermit?" has "or a bachelor lady?" behind it. Accompanying it is a 1957 New Directions pamphlet entitled Six Poems, containing brief pieces by Dudley Fitts, Kenneth Rexroth, Robert Fitzgerald, Tennessee Williams, and Ezra Pound.

On last page of text: "p. 267." This may refer to discussion of the poem "The Everlasting Sorrow" by Po Chu-i.

Dizzy: The Life and Personalitry of Benjamin Disraeli No marginalia.
The man whistler A clipping of a short review of The Etruscans Begin To Speak by Zacharie Mayani marked "Summer 1964" is tucked between pp. 130-131.
An almanac for moderns On second last page: "July 23." Entry is about how "there are no truly wild spots hereabouts unless they may be the marshes...."

On last page: "Field sparrow - 97." Second line is: "14 [with check mark]," entry is about how "it touches a man his blood is sea water...."

Flowering earth No marginalia.
Exciting days in ----- No marginalia.
The thought and character of William James No marginalia.
Birds No marginalia.
Essays in philosophy In table of contents on page x, "Ludwig Wittgenstein" is checkmarked.

Tucked between pp. 96-97, a slip of paper with this written on it: "My lush locale."
Great American short novels No marginalia.
Gerard Manley Hopkins - priest and poet Notation on last page of book: "p. 92 Goldengrove."

p. 152: "souls" corrected to "soul."
High on the walls No marginalia.
Five great dialogues On first page: "Xmas 1949 - from us all - Paul."

The river of life No marginalia.
The agony of modern music No marginalia.
Life stories of men who shaped history No marginalia.
Lives of the noble Romans No marginalia.
Active anthology "Lorine Niedecker" on first page.

p. 112: In line 27 of Zukofsky's "Poem Beginning 'The'," the word "wraithless" is corrected in pencil to "wrathless."

p. 144: "Lads' and Lasses'" in the excerpt from Zukofsky's poem "A" is corrected in pencil to "Lads' and lasses'."

p. 153: After word "bro" in Zukofsky's poem "Seventh Movement," an apostrophe is corrected to a comma.
Letters No marginalia.
Personae Inside back cover: "112, 113, 116, 117."
The cantos of ____ Notes on slip of paper tucked between pp. 164-165: "Pisan Cantos p. 451 ff. Adams-Jefferson - p. 357 ff. p. 445 - expl. of previous pages. John Adams - p. 357 [crossed out: 446] ff. Section: Rock-Drill 377 ff. Thrones 681."

A newspaper clipping the Milwaukee Journjal May 24, 1964 of a review of Memoirs of Lady Ottoline Morrell is tucked between pp. 356-357.

The classic anthology defined by Confucius No marginalia.
Translations No marginalia.
Confucius to cummings Not reviewed?
Confucius to cummings No marginalia.
A short history of the Civil War No marginalia.
Three Russian poets No marginalia.
The nature of literature Tucked between pp. 94-95 is a newspaper clipping of a review of Herbert Read's The Philosophy of Modern Art.

Tucked between pp. 176-177 is a half page torn from a magazine with Herbert Read's poem "Gala" being the only complete item on either side of the sheet.
Ten days that shook the world No marginalia.
Jean Renoir, my father Illegible name on first page, plus "31st March 1966."

p. 23: Marked in margin: "In summer they danced in little open-air cafes under the trees on the outskirts of Paris. They have to be satisfied with a flesh-and-blood band."

pp. 24-35: About half of page 24 is marked in the margin; four small passages on page 25 are also marked, then passages small and large are marked on subsequent pages through page 35.

pp. 38-94: Marks in margins on nearly every page. In addition, on p. 71. In top margin: "R. rather harsh & sentimental: one vanity [?] exchanges for another." In side margin: "cf. Japan's [illegible]."

pp. 98-133: Marks in margins on nearly every page; question marks in margins near some passages. In addition, in margin on p. 102: "cf. Japan!" On p. 110, with line pointed at "Why not meat," this note in top margin: "That's it now!" On p. 116, "all new," with line pointing at this sentence which has "patience and regularity" underlined: "Our profession is made up of patience and regularity; and that does not lend itself to passionate outbursts of romanticism." On p. 123, "cf. Keats" in top margin, with line pointing at sentence: "He studied the movement of a branch, the colour of foliage, as though aware of them from inside the tree itself." On p. 129, "remarkable" in margin next to the following sentence: "With the admirable logic for which the Army is noted, my father, who had 'never put his behind on the back of a horse,' was sento to a training centre at Bordeaux."

pp. 137-141: Marks in margins.

Other marks in margins on pages 144,146, 151, 155, 156, 158, 164-192, 201-224.

In addition, on page 155, "prophetic surrealism" next to this sentence quoted from a newspaper: "The imagination will then be incapable of conceiving anything except personal and subjective fantasies, which are utterly irrational because they are uncontrolled and out of touch with reality." On p. 156 "absolute" in top margin, pointed at "positive" in phrase: "As this last assertion seemed too positive...." On p. 167, note indicates "but R. doesn't answer" when responding to Delacroix's statement: "up till now I thought real painting was Celacroix, but now I know it's you." On same page, where text says "Nature abhors 'pure' colours" note in margin says "'Nature' abhors nothing." In bottom margin of same page, "one can [underlined]" pointing at "because one learns every day." On p. 169, in top margin "already" pointing at "experiments" in Monet's statement "The important thing for us is to be able to carry out our experiments." On same page, referring to footnote #1, in bottom margin is this note: cf. Maybridge." On page 170, "quantitatively" is in top margin, pointing at "flowering" in the phrase "the incredible flowering of 'knights of the brush.'" In margin near passage re. Louis XIV receiving visitors while sitting on the toilet, this note: "so it was [underlined] a throne at that!" In margin on p. 192, pointing at discussion of Renoir's technique being round and in curves, "pointless points." In top margin, in discussion that "To express himself well, the artist should be hidden...," this note: "cf. F.S.'s sense: intellectual arrogance (insecurity). In margin on page 210, "a bit too facile," pointing at the sentence: "The artist who seeks to present himself entirely naked to his public ends by revealing a conventional character, which is not even himself." In bottom margin of same page: "JR optimistic." In bottom margin on p. 211, "meaningless," pointing at "but like all people of strong character she lived entirely in the present." In bottom margin on p. 213, "pointless" pointing at I heard of an author who because he had a typewriter was able to complete a book in three years." In top margin on page 216, pointing at "Her motto, 'Fortune-Misfortune,'" this note: "cf. [illegible illegible]! Chinese theme!" In top margin, pointing at "I like painting best when it looks eternal without boasting about it..." is this note: "polemical and irrelavant." On same page, "polemical and narrow" in margin, pointede at "The painter honestly tried to put a little gaeity on the wall - and that was all." Tucked between pp. 220-221, a slip of paper with these handwritten notations: "# Renoir, My Father - Jean Renoir 1962 (LN - the flowers, the rushes - ) 'Outwardly nothing had changed, except the rumbles of cannon-fire could be heard when the wind was in the north.' the scribe - the writer." On p. 222, "minestra [?] w/ pasta on holidays" pointing at sentence stating that inhabitants "had seldom tasted spaghetti or macaroni, which most foreigners imagine are so plentiful in the South of Italy."

There are also marks in margins on pp. 226-234, 236-265, 269-273, 278-292, 295, 297-301, 308-337, 341, 343, 346-393.

In addition, there are illegible notations in margins of pp. 322-323. In top margin of p. 346: "Lady of the Lake (referring to Scott?), pointing at "The Lady of the Ponds." In bottom margin of p. 347, "Charales [sic - ?]." In bottom margin of page 360, pointed at "He was irritated by people who wasted part of the orange when peeling it," this notation: "[illegible] = inability to accept others who didn't share his tastes, etc." In top margin of p. 361, pointed at "cad," this notation: "selfish and thoughtless." In top margin of p. 365, pointing at statement that Veronese, Titian, and Velasquez "painted on rather coarse-grained canvas," is this notation: "These painters are all conspicuously reliable in this." In bottom margin of same page, pointing at sentence ""It is the ransom to be paid for the privilege of deaing with the crowd, which is slow by nature," is this notation: "the 'crowd' is nothing [underlined] - 'slow' is 'slow' : art addresses a commonality of individuals." In top margin of p. 366, this note "Nonsense: Baudelaire is often very apt. [Illegible, illegible] also. Four more [illegible illegible] is that critical powers in the artist are training on his own work largely" is aimed at the notion that "It would seem that the critical sense has never [underlined] gone with great creative ability." Immediately following, thereis a question mark in margin for the sentence that suggests: "Ultimately it is the public which, after a long period of assimilation, renders the final verdict." At end of paragraph, in reaction to Renoir's disapproval of artists taking refuge in an ivory tower among a little band of admirers: "the opposite today & equally impoverishing. Even more so--." In bottom margin of p. 367, in reaction to this sentence "In that way, he would have been able to devote himself entirely to what constituted 'creation' in painting: the relations between form and colour, which have infinite variation in a single motif, and which can better be grasped when there is no further need to concentrate on the motif" there is this notation: "cf. [illegible], Tanaka, Matisse, etc. But in itself this 'idea' promises no more than any other. Tanemeka can keep to one motif & have it each time only technically embellished." A one-word illegible notation is in the margin of p. 372. In bottom margin of p. 393, pointing to sentence re. "the portraits of ecclesiastics which decorated its walls seemed to be emerging like ectoplasm from their black cassocks and the backgrounds painted in bitumen" there is this notation" "cf. 8 1/2 ."

Additional marks in margins on pp. 406, 407, 409-413, 415-432.

In top margin of p. 418, pointed at the notion that "In Art only the form [circled] counts" is this notation: "i.e., the way." There's a question mark here, too. Farther on page, in discussion of copies vs. originals, this notation in side margin: "ironic though JR seems unaware." In top margin of p. 422, pointing at the sentence "The problem is a very simple one, that of giving back to man his earth paradise," there is this notation: "he retrieves himself: no one else takes it from him." Farther on the same page, in side margin: "Wow!" in reference to: "The discovery of Mme Curie is surpassed by the work carried out by Teller: and Teller's work, in turn, will be out-distanced by those who succeed him. Teller knows it quite well [this sentence underlined]." Same page, question mark in margin next to the notion that "This search for the secrets of Nature justifies all the huge laboratories, the elaborate museums, the costly experiments, and the picture sales at fabulous prices."
100 poems from the Japanese No marginalia.
By the waters of Manhatten First page of book is signed by Reznikoff, Sept. 25, 1962.

Slip of paper tucked into back of book with these page numbers: "9, 23 - 2, 24, 25 - 2, 26, 29, 42, 43, 57, 63, 72, 79 with check mark, 88 with check mark, 101 with check mark, 103 with check mark, 107."

Tucked into back of book is also a newspaper clipping of an article by Leslie Cross, Milwaukee Journal Book Editor, about C.P. Snow.
Five groups of verse No marginalia.
In memoriam: 1933 No marginalia.
Inscriptions: 1944-1956 No marginalia.
Jerusalem the golden No marginalia.
Separate way Tucked at the contents page is a slip of paper with four poems typed on it, signed by Charles Reznikoff.
Early history of a sewing-machine operator No marginalia.
Selected letters Notation on inside of back covere: "Duse 138-140."
A Season in Hell and The Drunken Boat No marginalia.
Prose poems from the illuminations No marginalia.
Civilization, science and religion No marginalia.
See America free p. 124: Paragraph about Battle Creek, Michigan, is marked in the margin.

pp. 128-131: Paragraphs about Holland, Houghton, Kalamazoo, Lansing, Marquette, Monroe, Muskegon, and Traverse City, Michigan, are marked in the margin.

p. 132: Paragraph about Detroit Lakes, Minnesota, is marked in the margin.

p. 134: Paragraph about Pipestone, Minnesota, is marked in the margin.

pp. 144-146: Paragraphs about Billings, Browning, Crow Agency, Great Falls, Helena, Hungry Horse, Missoula, Moiese, and Virginia City, Montana, are marked in the margin.

pp. 191-192: Paragraphs about Devil's Lake, Dunseith, Fargo, Grand Forks, Jamestown, Rugby, and Williston, North Dakota, are marked in the margin.

pp. 239-240: Paragraphs about Interior, Pierre, Rapid City, and Yankton, South Dakota, are marked in the margin, including notation "seeds - nursery" at Yankton entry.

pp. 267-270: Paragraphs about Beaver Dam, Madison, Manitowoc, Milwaukee, Oshkosh, Rhinelander, and Wausau, Wisconsin, are marked in the margin.
An anthology of Greek drama, first series No marginalia.
Rulers of America No marginalia.
100 American poems No marginalia.
100 Modern poems No marginalia.
The confessions On inside back cover: "Diderot - begins 270."
The darkening glass: a portrait of Ruskin's genius No marginalia.
A history of western philosophy No marginalia.
Autobiography of ____ There are two volumes. No marginalia in either volume.
Bertrand Russell's best No marginalia.
Selected papers of ____ Not reviewed?
The will to doubt p. 23: The paragraph which starts with the following is marked with a dot at first and last lines: "What would have happened if Einstein had advanced something equally new in the sphere or religion or politics?"

On last page: "p. 23."
Understanding history This notation is on the inside back cover: "Shakespeare - Macbeth - page 40."
Unpopular essays On last page: "Bertrand Russell Speaks His Mind, 3.75."
Confessions No marginalia.
Discussions of the novel No marginalia.
College reading On first page of book: "For Lorine, Happy birthday, Paul, 5/12/53"
Character and opinion in the U.S. No marginalia.
Interpretations of poetry and religion No marginalia.
Letters No marginalia.
Persons and places There are two copies of this book.

Copy 1
First page has erasure of what was apparently a name. No other marginalia in this copy.

Copy 2
No marginalia.
Scepticism and animal faith No marginalia.
The last puritan No marginalia.
The sense of beauty No marginalia.
Three philosophical poets No marginalia.
Winds of doctrine and platonism and the On copyright page, date of original publication of each title has been indicated in handwriting.
The Age of Adventgure: the Renaissance Philosopherws No marginalia.
The origins of scientific thought No marginalia.
Lyrics of ____ Not reviewed?
Translation No marginalia.
A thousand days: John F. Kennedy in the No marginalia.
A treasury of the world's greates letters No marginalia.
Goethe: five studies No marginalia.
Out of my life and thought p. 54: Check mark in margin near "at Bayreuth in the 'Black Horse Inn'...."

p. 55: X in margin near: "Music appeals to the creative imagination of the hearer, and endeavors to kindle into life in it the emotional experiences and the visions from which it came into being itself."

p. 171: Mark in margin near: "By the spirit of the age, then, the man of today is forced into skepticism about his own thinking, in order to make him receptive to truth which comes to him from authority."

p. 172: Notes in top and side margin: "Pressure to conformity has resulted in spiritual weakness and scepticism." "?? - argument too absolute: a fallacy in condemnation of [illegible]." "The modern man" is bracketed and underlined, "who?" in margin pointed to it.

p. 177: Bracketed: "The truth of a view of the world must be proved by the fact that the spiritual relation to life and the universe into which that view brings us makes us into inward men with an active ethic."
The Sewanee Review, October-December No marginalia.
What is philosophy? No marginalia.
Famous scenes from Shakespeare No marginalia.
Discussions of Hamlet No marginalia.
Four great comedies Notation on first page inside the front cover: "p. 286 Full fathom five."
Histories and poems, vol. 2 p. 972: These lines from Sonnet XXX are bracketed: "Then can I drown an eye, unus'd to flow,/For precious friends hid in death's dateless night,/And weep afresh love's long since cancell'd woe,/And moan the expense of many a vanish'd sight."

p. 1010: At Sonnet CXXVII: "Here begins those addressed tro rthe lady."

Fourth page from end: "Sonnets 1 thru 17 - he urges his friend (man) to marry & beget a child - celebrates his physical beauty. 18 begins a change - celebrates an inner beauty also, plus an eternal beauty that belongs to the poet as well. Reproves the young man for havinig an affair with the poet's lady. 127 to 152 - to the lady who awakensw lust in him rather than quiet romance."

On second last page: "18, 26-62, 27-, 29-, 30-, 43, 55, 64, 73-74, 94 irony, 128 129, 147*, 152."
The complete works of ____ No marginalia.
Tragedy of Hamlet, Prince of Denmark "Lorine Niedecker" on first page.

p. 6: Opening bracket at top of page, Horatio: "That can I...."

p. 10: Closing bracket at end of Scene I, "Where we shall find him most conveniently." Line "Together with remembrance of ourselves" is bracketed. "[S]ometimes sister" is underlined. "Have me" is underlined.

p. 11: "Taken to wife" is underlined.

p. 19: Faint X penciled into top margin.

p. 22: Check mark in margin re. lines: "My father's spirit in arms! All is not well;/I doubt some foul play. Would the night were come!"

p. 50: Check mark next to line: "Guildenstern: But we both obey...."

p. 51: Check mark next to line: "Guildenstern: Heavens makes our presence and our practices...."

p. 57: Check mark next to: "Enter Hamlet, reading O, give me leave...."

p. 71: Checkmark next to line: "First Player. But who, O who had seen the mobled queen - ...."

p. 79: Opening bracket for beginning of Hamlet's: "To be, or not to be, - that is the question...."

p. 80: A line marks the line "what dreams may come." "[C]ontumely" is underlined. Closing bracket after "With a bare bodkin?"

p. 117: Check mark in bottom margin.

p. 127: "Fussed" in margin, pointing to "To fust in us...."

p. 128: Closing bracket at end of Scene IV.

p. 136: Check mark for line: "Laertes. Hadst thou thy wits, and didst persuade revenge...."

p. 157: Opening bracket for Hamlet's "Alas, poor Yorick!"

On third last page: "All history (?) / how. Falling Action/Climax/Compilation: Denoument. Introduction. Setting. Citing force.

On last page: "Theme at least 500 words Hamlet test soliloqy." Upside down on page: "Lake Koshkonong - not a history - old man tells hunting tales etc. history of the Lake."

Inside back cover: "Hamlet England - pirate ship - Rosen Guild go to king."

A treasury of science No marginalia.
Beyond the observatory Notes on slips of paper tucked between pp. 126 and 127:

On the first slip:
"pp. 115 to end of chapter."

On second slip:
"3/ wonder of the whole natural world, not only of life. Is not the creed of Schweitzer too narrow? "Why not revere also the amino acids & the simple proteins [from] which life emerged? Or why not go all the way & avow reverence for all things that exist?"
---
"We foresee tornado destroyers, forestation of an iceless Greenland, & cows that produce calves in litters."
Plays unpleasant No marginalia.
Seven one-act plays No marginalia.
Four plays No marginalia.
Mammonart Back cover has "Lorine Niedecker" in pencil.

Notation on title page: "[illegible] traveler with rich and elegant but for dramatic [illegible] ridicules and belittles."

p. 47: Line beginning "turning to their ancestral halls..." is marked in the margin. Last full paragraph on page is marked in margin, and "unrestrained in their emotions and limitless in their desires" is underlined.

p. 48: Line reading "is to read and appreciate Latin and Greek literature" is marked in the margin; lines are marked in margin from the sentence beginning "Only once does a common man lift..." to the end of the paragraph.

p. 50: Paragraph ending at the top of the page is marked in the margin.

p. 51: Lines are marked in margin for the paragraph beginning "Another dramatist arose...." Notation is made at end of this paragraph reading: "is that essential to art?" Entire paragraph beginning "But now came another dramatist..." is marked in margin. "Euripides" is underlined.

p. 52: Part of first paragraphof Chapter XX is marked in margin.

p. 54: Several lines in paragraph starting "Also Aristophanes loathed..." are marked in the margin.

p. 55: Several lines are marked in margin, starting at "- that is pictures of the fashions..." to the end of the paragraph.

p. 57: Line starting "... and Sir Gilbert Murray, who knows... " is marked in the margin.

p. 59: Several lines are marked in the margin in the paragraph beginning "The Roman mob had the vote...."

p. 60: Paragraph beginning "It was to be an epic..." is marked in the margin.

p. 63: Two lines in paragraph ending at top of page are marked in the margin. Two lines at the bottom of the page, including the phrase "a feeling of affection for Mr. Quintus Horatius Flaccus..." are marked in the margin.

p. 70: About six lines are marked in the margin, beginning with the line that starts: "'over-correction.' The two favorite themes...."

p. 74: The first three lines of Chapter XXVIII are marked in the margin.

p. 77: The end of the first paragraph of Chapter XXIX and the beginning of the second paragraph are marked in the margin.

p. 78: "14th" is written in the margin next to two lines that start "The two popes of his own...." Two lines near "that art out not to preach" are marked in the margin.

p. 87: Six lines at the beginning of the paragraph that starts "Another pope came, and wanted..." are marked in the margin.

p. 88: The beginning of Chapter XXXII is marked in the margin.

p. 92: Much of the paragraph beginning "It is interesting to note how many..." is marked in the margin.

p. 98: Two lines are marked in the margin, beginning with the line that starts: "of Shakespeare's time, when twelve editions...."

p. 100: Paragraph concluding at top of page and first full paragraph on page are marked in the margin.

p. 101: Line beginning "but never hesitated to change the characters..." is marked in the margin.

p. 104: Four lines at beginning of the paragraph starting "The answer is..." are marked in the margin.

p. 110: "Not so much!" follows the sentence ending "... and that in technical skill the modern work is superior."

p. 112: The paragraph beginning "The forms of things change..." is marked in the margin.

p. 114: Nine lines are marked in the margin starting near: "He took to writing heroic plays..." Dashed line beneath "language of polite obscenity" in the next paragraph.

p. 117: Three lines at beginning of paragraph starting "These three dogmas of play-writing..." are marked in the margin.

p. 121: Two lines are marked in the margin near: "The great gentlemen scorned to work at art...." Three lines are marked in the margin starting with "... located in what the poets of those days..." to the end of the paragraph.

p. 127: An "X" is in the margin near the lines with the phrase "It is called 'Tartuffe...'."

p. 128: An "X" is in the margin where paragraph begins "Then came a play called 'The Misanthrope...'"

p. 129: Two lines are marked in the margin near: "... find Kipling ridiculing the notion that Hindus...."

p. 132: Something seems to have been erased near lines with phrase "... cherishing the aristocratic superstition that art exists for the cultured classes...."

p. 136: Entire paragraph beginning "His first important book was..." is marked in the margin. "Man was born free..." is underlined.

p. 137: An "X" in the margin near "Then came another novel, 'Emile...'."

p. 139: An "X" and question mark are in the margin near phrase "... a stately volume, 'Rousseau and Romanticism...."

p. 145: The line with "Pamela; or Virtue Rewarded..." is marked in the margin.

p. 159: The last three lines of the first full paragraph on the page, and nearly all of the second paragraph are marked in the margin.

p. 169: Twelve lines beginning at "Moreover - and here is the point essential..." are marked in the margin. Mark in margin near phrase "...so we call it 'magic'" at bottom of page.

p. 180: Lines are marked in the margin near the phrase "... wrote a drama, 'Prometheus Unbound'...."

p. 183: Phrase "liberated workers" is underlined.

p. 188: "Well, Coleridge??" is written in margin near sentence that begins "It is not just as much 'teaching' to proclaim...."

p. 198: An "X" in margin near "When inspiration does not come to him...."

p. 199: "Theophile" near end of first paragraph is underlined. Two lines beginning with "...purely and simply an artist..." are marked in the margin.

p. 201: Paragraph ending at top of page is marked in the margin. Three lines at bottom of page beginning with "... is important to get clear in our minds..." are marked in the margin, with this notation: "Music highly intellectualized?"

p. 203: "Ah!" written in margin next to sentence: "It was a time when a poet could make a national reputation by comparing the moon above a church-steeple to a dot on the letter i."

p. 207: In last full paragraph on page, "Minn." is underlined in phrase "Grand Prairie, Minn." At end of paragraph "...genital" is underlined.

p. 209: "Heine" is underlined at start of second full paragraph on page.

p. 246: Lines in paragraph at beginning of Chapter LXXVIII are marked in the margin.

p. 247: Page number is bracketed.

p. 254: Exclamation point and a mark near the sentence: "Does a poet necessarily have to be appreciated by those of whom he writes?"

p. 267: Six lines near the line beginning "... a Slavophile, or mystical Russian patriot..." are marked in the margin. The last full paragraph (about Dostoievski's 'The Idiot') on the page is marked in the margin.

p. 268: "Scientist," "interpret," "economist," and "remedy" are underlined in first full paragraph on page.

p. 275: Several lines are marked in margin at beginning of paragraph that starts: "In his later years he wrote...." Mark in margin near phrase "art has to do with moral questions...."

p. 292: Mark in margin near phrase "... and was taken as the spiritual director of the invasion of Belgium." Four lines marked in margin near sentence beginning "Nietzsche explained Christianity as a slave religion...."

p. 294: Something seems to have been erased near phrase "... preserving weaklings and parasites, and putting commercial hogs in power." Two lines near "lofty idealists whom Nietzsche dreamed..." are marked in margin.

p. 304: "Oh Help!" [underlined twice] written in margin next to passages including "He went back to London and wrote more plays, one of them, 'Salome,' assuredly the most cruel, cold, and disgusting piece of lewdness in the English language."

p. 328: Line beginning "... always this strange thing was noticed..." is marked in the margin. Line beginning "... author who had aimed at the public's heart..." is marked in the margin.

p. 329: Two lines near "completely cowed, shamed, and tormented..." are marked in the margin.

p. 332: Several lines following "The damned and mangy human race..." are marked in the margin.

p. 333: Seven lines at top of page are marked in the margin; something illegible is written just above.

p. 338: "Nonsense!!" is written next to sentence "If poets saw things as they are they would write no more poetry."

Tucked between pp. 356-357 a newspaper clipping containing a paragraph by Tolstoi entitled "The Little Work of Art."

p. 390: At end of index, this notation: "Resurection [sic] - Tolstoy, Zola, Whitman, Whittier, Milton, Tolstoi, Shelley, Nietzsche. He doesn't appreciate Wilde!"

Notations on second last page of book: "Wordsworth - conservative in religion & poetics - in poetry." "Gopher Prairie, Minn." [Minn. underlined twice]. "Balzac out for money.

Notations on last page of book: "48, 51, 78, 87, 92, 104, 112, 114, 117, 129, 132, 180, 209, 267, 327, 332. Euripides - Greek. Dante - Italy. (acrobatic ability - charging) S. Richardson - Pamela of Virtue Rewarded. dilettante. Roman - Virgil - [illegible] - Eneans - Horas."
The Chinese on the art of painting No marginalia.
The southern review No marginalia.
The southern review No marginalia.
The southern review No marginalia.
The southern review No marginalia.
The southern review No marginalia.
Your body and your mind p. 120: "We know, too, that even such simple psychosomatic conflicts as the oral desires, which lead to so much gastrointestinal disturbance, are fundamentally sexual in nature" is marked in the margin.

On last page of book: "120."
Variety of men "Lorine" on the back cover of dust jacket. No other marginalia.
A range of poems No marginalia.
The crisis of our age No marginalia.
The pocket book of verse No marginalia.
Philosophy, selected from his chief works A spent match from book matches is laid in between pp. xvi-xvii.
Spinoza dictionary No marginalia.
The red and the black No marginalia.
Letters of Wallace Stevens No marginalia.
Harmonium Photostatic copy of three typed Wallace Stevens poems is tucked inside front cover, with this note on backside: "9-10-92 The original of these three poems is now filed in the protective File Box #1."
A Net of Fireflies There are two cards and a slip of paper tucked into the book; the cards are greeting cards turned inside out. They have poems copied onto them from this anthology in LN's hand, as does the slip of paper.

On the first card, tucked between inside front cover and first page of book:

"Harold Stewart - Australian."

Last Signature
The moon as shown its selfless light to me;
As for this world
I am
respectfully
- Chiyo
---
Perfection
The host said not a word. The guest was dumb.
And silent, too, the white chrysanthemum.
- Ryota
---
Sacrilege
Before this perfect white inviolate
Chrysanthemum - the scissors hesitate!
- Buson
---
The Poetry of Takuboku by H.H. Honda
T. said: "Poetry must not be so-called poetry. It must be accurate reports, and honest diaries relating happenings in the author's emotional life. Poems, therefore, should not be thorough and complete, but piecemeal and fragmentary."
---
Lament
Autumn loneliness: a cricket grieves
This evening in the scarecrow's ragged sleeves.
- Chigetseu
---
Living Legend
"Now long ago there lived a wicked witch..."
The withered pampas grass begins to twitch!
- Issa
---
New Year's Day
On New Year's Day, the sky has cleared and leaves
Chattering sparrow-gossip in the eaves.
- Ransetsu
---
LN note on this card:
"All this gone over - some copied."
-----------------------------

On the second card, tucked between pp. 80-81 there are these LN notes:

"Write Clark of Harvard."
---
"Next week - Biographia Literaria. Amid [??] spreads - construction paper red & blue or red & blue striped gift paper."
-------------------

On slip of paper between pp. 114-115:

A Street In Zdo
Through this shower in spring,
at dusk dispersing,
A raincoat and umbrella stroll, conversing...
- Buson
---
The Delicate Touch
Violets in retirement near its trail
Are touched in passing by the pheasant's tail.
- Shushiki
---
Preamble
Through the morning mist, preceded by its moo,
The living cow looms slowly into view.
- Issa
--------------------------------------

No other marginalia.


The life of Ezra Pound No marginalia.
Lust for life No marginalia.
The web of life No marginalia.
Poetics of music No marginalia.
The limitations of science Notation inside back cover: "166."

p. 13: This sentence is marked in the margin: "The poetry of science and its sense of unlimited adventure are conveyed by Kepler in the most magnficent prose that any scientific man has ever written."

p. 166: Notation in top margin: "Aesthetic basis of mathematics." This sentence is marked in the margin: "If nature did not possess a harmony that was beautiful to contemplate, said Poincare, science would not be worth pursuing, and life would not be worth living."
Walter Savage Landor No marginalia.
Renaissance in Italy pp. 3-4: The paragraph beginning "The speech of the Italians at that epoch" is bracketed from there up to the sentence ending "... but which remain so rich in masterpieces."

Later there are defective pages which were not opened when the book was trimmed, and they have not been opened by any reader.

pp. 312-313: The paragraph beginning "We are hardly able to appreciate the 'Last Judgment..." and ending "'... the rest of the wortldf is seized with fear and goes mad'" is bracketed.

On last page of book: "312-313 Michelangelo Stendhal."
Complete works No marginalia.
The life and mind of Emily Dickinson No marginalia.
The man of letters in the modern world No marginalia.
The acquisitive society "Lorine Niedecker" on first page. Beneath it, another name which is not legible.

On second page: "jelly -- cromo Damascus."

p. 1: In margin: "unspeculative / no use foer theories / incurious."

p. 3: Underlinings in paragraph at top of page.

p. 5: Underlinings and note: "he is interested in function."

pp. 5-6: several notations about "function" and "industry."

p. 8: "Underlying principles" at top of page.

p. 9: Underlining and marks in margin, plus "yes" in margin next to: "and it was natural that in those regions of England, as in the American setrtlements, the characteristic philosophy should be that of the pioneer and the mining camp."

pp. 10-11: Underlinings and marks in margins.

pp. 12-13: Underlinings and marks in margins, plus "Good" in margin next to sentence in brackets: "There was a limited monarcxhy in Heaven, as well as upon earth."

pp. 14-17: Marginal notes and underlinings.

p. 20: At top of page: "right precedes or supercedes service." Near "acquisitive" is written "wealth," near "this doctrine" is written "utility."

p. 24: Bracketed sentence: "For the definition of a privilege is a right to which no corresponding function is attached."

p. 27: "... inevitable harmony between private interests and public good" is underlined.

p. 28-31: Lots of underlining and other marks, plus "monopoly" in margin.

pp. 34-35: Underlinings, including: "the degradation of those who labor, but who do not by their labor command large rewards; that is of the great majority of mankind."

pp. 38-39: Underlinings, including sentence about the production of trivialities.

p. 42: Underlinings. "Certainly" in the margin.

p. 47: "Good" in margin next to paragraph about making industry "a desert of unnatural dreariness...."

pp. 52-53: Underlinings, question mark in margin next to "French Declaration of the Rights of Man," "obscure in margin next to "recondite."

p. 56. Underlining related to description of the right of propertry.

p. 59: "Function" in margin. "Property was to be an aid to creative work, not an alternative to it" is underlined.

pp. 60-63: Several underlinings. "Exactly" in margin next to "to most of those who own property to-day it is not a means of work but an instrument for the aquisition of gain or the exercise of power, and that there is no guarantee that gain bears any relation to service, or power to responsibility." "Function" and "rights" in margin next to a list of proprietory rights.

p. 66: "True" in margin next to: "It is probable that war, which in barbarous ages used to be blamed as desatructive of property, has recently created more titles to property than almost all other causes together."

p. 70: "Exactly" in margin next to: "His sentiments about property are those of the simple toiler who fears that what he has sown another may reap."

p. 72: "Security" in margin.

p. 78-83: Underlinings. "What is the point" in margin of p. 82 next to passage saqying that functionless property "cannot create; it can only spend, so that the number of scientistsw, inventors, or men of letters who have sprung in the course of the last century from hereditary riches can be numbered on one hand.'" "Undermines creative energy" in margin on p. 83.

p. 84: Question mark in margin next to sentence about education being crippled in England "for the sake of industry." Chapter number is circled.

p. 86: "Of course" in margin in discussion of corruption of the principle of industry, next to: "It all depends what sort of propertry it is and for what purpose it is used."

p. 89: Part of a sentence quoted from Mill is underlined: "The reasons which form the justification ... of property in land...."

pp. 90-92: Underlining and bracketing, including discussion of a profession as being a trade organized "for the performancle of function."

pp. 96-108. Underlinings and marks in margins. "Good" in margin on p. 96 next to paragraph starting "The idea that there is some mysterious difference between making munitions of war and firing them...." Sentence on p. 106 about ending "the payment of profits to functionless shareholders" is underlined.

p. 115: In discussion of nationalization, "necessarily inefficient" is underlined and there's a question mark in the margin farther on.

p. 117: "administration" is underlined.

pp. 118-119: "Esch-Cummins Act" is underlined. Line with "a financial guarantee, of a public authority" has check mark in margin.

p. 130: "Eminent persons, who are not obviously producing more than they consume, explain to the working classes that unless they produce more they must consume less" is marked in the margin. "For how can the consumer be supplied with cheap goods, if, as a worker, he insists on higher wages and shorter hours" is marked in the margin.

p. 142: "For the object of industry is to produce goods, and to produce them at the lowest cost in human effort" is marked in the margin.

p. 167: Part of a paragraph is underlined related to profits going to shareholders rather than "brain workers in industry."

p. 176: Discussion of difference between "business" and "management" is marked in margin.

pp. 178-179: Underlinings, and note about workers being responsible to community instead of to shareholders.

p. 183: Mark in margin next to discussion of industry holding "a position of exclusive predominance among human interests."

Our heritage or world literature No marginalia.
A week on the Concord and Merrimack rivers No marginalia.
Walden or life in the woods On slip of paper tucked between front cover and first page: "Of Thoreau - He chose to be rich by making his wants few. - Emerson"

Tucked between pp. 68-69 us a page from the New York Times Review of Books, May 6, 1962, with a column by J. Donald Adams called "Speaking of Books," which commemorates the 100th anniversary of Thoreau's death.

Adventures of the mind No marginalia.
Anna Karenina No marginalia.
Short masterpieces No marginalia.
Les Philosophes No marginalia.
World Literature, vol. 1 No marginalia.
Mozart, the man and his works Notation on last page of book: "21, 31, 34, 39 [underlined], 55 [underlined], 99, 114 [with ? following]."

p. 45: "8 yrs." is written in pencil in space above a letter dated August 9, 1764.

p. 55: "7 yrs." is written in space following the date: October 14, 1763.

pp. 99: "14 yrs." is written in space before the date "April 14, 1770."

p. 182: The first seven lines of the paragraph beginning "I beg you to write soon to the poor Mysliweczek..." are marked in the margin.

p. 374: The following item in the appendix is marked: "525 Eine kleine Nachtmuik 1787."
The changing nature of man No marginalia.
The aeneid No marginalia.
The pastoral poems No marginalia.
The portable Voltaire No marginalia.
The personality of Chaucer No marginalia.
Madly singing in the mountains No marginalia.
Six centuries of great poetry No marginalia.
The way of zen No marginalia.
Renaissance No marginalia.
Shakespeare without tears No marginalia.
Pocket book of old masters No marginalia.
The outline of history The front panel of an envelope, cut away from the rest of the envelope, is tucked between pp. 548-549. The envelope was addressed to:

Lorine Niedecker
Route 3
Fort Atkinson, Wisconsin

It is postmarked Fort Aktinson, Wis., Dec. 20, 1951, 3 p.m. There's a 2 cent stamp on it.

12 American poets No marginalia.
The natural history of Selborne Notations inside front cover: "Plestor = the village playground. Meald = wild land. A holt = a grove. A hangar = a hanging wood, that stand of beech trees which still leaves out \___/ steep cliff behind 'The Wakes.'"
The age of analysis No marginalia.
Adventures of ideas No marginalia.
Dialogues, as recorded by Lucien Price No marginalia.
Leaves of grass No marginalia.
Specimen days No marginalia.
Portable Oscar Wilde No marginalia.
New voices On first page: "Lorine Niedecker Last Half Century English Lit."

On third page: "human body if sold = between
$70 and $90."

p. 1: Mark near sentence: "Poetry is like the Pool of Bethesda. Until they have been plunged into eddies of rhythmical and imaginative beauty, many human intellects are, to a certain extent, sick and infirm."

p. 5: "Scepticisms" by Conrad Aiken is underlined. This sentence is marked: "Poetry is often thought to be a painless twilight sleep out of which beauty is accidentally born."

p. 7: End of this sentence is marked: "The person who goes strutting about with all the air of being a genius and saying that he does not need to work, that he writes 'by inspiration,' is saying, in effect, 'Michelangelo, Beethoven, Shakespeare, of course, had to labor for their sucess, poor souls! It is quite unnecessary for me!'"

p. 10. Second full paragraph on page is marked "1" and the word "design" is underlined. Third paragraph is marked "2." and "exactly" is written in margin next to: "They [rhythms] must be used flexibly and fluidly...." The word "concise" is underlined, with question mark in the margin, near sentence: "He believes that poetry differs from prose partly in being more concise."

p. 11: Mark in margin near: "When he has been published a poet may have inferiors, equals and superiors, but he has no rivals." Mark in margin near "To-day too much is being written and admired that is merely novel."

p. 13: "Heart of Man" is underlined.

p. 14: "Mark in margin near: "It is well to remember that great poetry is the result of a noble synthesis of all the powers of personality."

p. 22: "symmetry" is underlined. In margin: "harmonious relation of parts. Last paragraph on page, about Amy Lowell and her poem "Patterns" is bracketed.

p. 24: "Oh - yes" next to examples after sentence "The cadence is reiterated in lines like the following." In bottom margin: "cadence, rhythm, each kind of rhythm suggesting a mood."

p. 25: "Good" in margin near: ".... so that, when the poem swings back into the familiar cadence, we know an instantaneous delight."

p. 27: "symbol" and "story" underlined.

p. 28: X in margin and "rhyme in" underlined in sentence: "And now we are brought face to face with the question of the real importance of rhyme in the designing of poems."

p. 32: In top margin, re. rhyme: "can be used tritely, insincerely [underlined], and inappropriately."

p. 33: In top margin: "Structures Patterns - Amy Lowell Deirdre - Steffans." Next to poem Patterns: "1 2 - " In bottom margin: "a poem can have variety and [underlined] pattern."

p. 34: Mark next to a line of the poem.

p. 35: Next to line "We would have broke the pattern" is "walking up and down - garden in stiff brocade." In bottom margin: "rigid and severe = pattern."

p. 36: "3." next to lines "In a pattern called a war. Christ! What are patterns for?" "Sure" is underlined in line: "But, sure, the sky is big, I said."

p. 41: These lines are marked: "God, I can push the grass apart/And lay my finger on Thy heart!"

p. 47: Several lines of the poem "Deirdre" are marked.

p. 51: "Rhythm" and "to flow" underlined. In bottom margin: "rhythm from Greek root 'to flow'."

p. 53: In top margin: "English blank verse, Greek hexameter - stately, dignified, lofty [underlined twice]."

p. 57: "Strong" in margin next to the lines: "Over the roof-tops race the shadows of clouods;/Like horses tghe shadows of clouds charge down the street."

p. 58: Mark in margin next to: "Perhaps she [Miss Lowell] would say that her own polyphonic prose is like a line undulating more regularly than the line of ordinary prose."

p. 63: "Robert Frost" is underlined, and so is: "he is the greatest living master of the poetry that talks."

p. 64: In top margin: "organic rhythm - Vachel Lindsay - Santa Fe Trail."

p. 66: "hearing" is bracketed. Question mark in margin near: "Nothing is artistically worse than indignation waltzing, unless it is sorrow capering to the lift of a tango or joy droning a dirge."

p. 76: "Living [?] traveler to follow or communicate w those thata have gone - but not successful" in margin near Lindsay's poem "The Listeners."

p. 85: The words "concisely, vividly, memorably, emotionally" are underlined in sentence: "Images and symbols, then, are valuable in literature because they present truth far more concisely, vividly, memorably, and emotionally than literal statement."

p. 87: In top margin: "metaphors."

p. 93: "Marks in margin near sentences: "In hot countries everlasting heat is the symbol of damnation; in cold countries, everlasting cold. Again and again the seasons, spring, summer, autumn and winter are made to mean birth, growth, maturity, death. A winding river is life. The seed of the man is the child. The banner is the nation. The summit is success. The uphill climb is effort. The tree is the race, the family, the strong man."

p. 95: X in margin near: "This mayh be because the making of strong symbols is a task for leisure and meditation, and the Orient loves leisure and meditation as the Occident loves action and thought." "Rabindranath Tagore" is underlined.

p. 96: "symbolism" is underlined in sentence: "But great poets of the Occident are also masters of symbolism." "Commerce in three great periods" and "democracy" are underlined. "Image & symbolism" and "banks of ours" in margin near Masefield"s poem "Cargoes." "1., 2., and 3." are added beside the three stanzas of the poem.

p. 111: In bottom margin: "Imagery - suggested mood, mere photography. Symbolism - deeper emotion, means to an end."

p. 120: Phrase underlined: "such [trite and stereotyped] diction is the result of laziness or mental sterility."

p. 123: "Of course" in margin near: "But to-day most of us have accepted it [the beginning of the quarrel between Bill and Saul in Masefield's 'The Everlasting Mercy'] as an essential ugliness in a great poem full of spiritual beauty...." "Essential ugliness" is underlined.

p. 125: This line in Masefield's "The Everlasting Mercy'" is marked: "Up the slow slope a team came bowing...." Also there are marks in a sentence about that same line: "One line alone for truth and vitality would make this passage memorable...."

p. 150: Underlinings in this sentence: "Most of these ultra-conservative poets are men and women of unquestioned culture, men and women whose minds are saturated with literature, especially the literature of the past."
"Poetry of the learned" in margin nearby.

p. 153: In bottom margin: "Noyes - 1. Argumentative poems not convincing. 2. Lyrics lack concentration and power. 3. Popular sentimentality."

p. 154: In bottom margin: "for 1. ballads rhythm imaginative 2. dramatic 3. technique of Forty Singing Seamen memorable 4. just what a ballad rhythm ought to be - in keeping w/ mood of poem."

p. 176: "humanitarian" underlined in second line of first full paragraph on page.

Facing p. 217: "Sandburg - p. 217, 180, My Hansen, Untermeyer {expression of persohnality sometimes, not poetry."

p. 220: Much of the page is marked in the margin. In bottom margin: "Wisdom of Bye Street - Harding - esque."

p. 221: Underlined phrase: "words as clean as silver, firm as bronze, and ruddy as gold...."

p. 222: "Dauber" underlined and marked in margin.

p. 250: Bracketed: "One of the finest of these picture-poems is 'Out of Trenches: The Barn, Twilight.' Just to read it is to join a group of Tommies and listen to their songs and their talk. It is admirably done. But it is not verse to be quoted. It should be read as a whole."

p. 320: Marked in margin: "Thomas Hardy gives expression to the same idea with greater austerity [than 'April Rain' by Conrad Aiken], and more nobly, in his admirable poems 'Transformations' and 'The Wind Blew Words.'"

p. 322: "she is not alone" is written side-wise in margin of bottom half of page.

p. 326: A sentence about Aiken's "The Morning Song of Senlin" is marked in the margin.

p. 327: "336" in bottom margin.

p. 330: First four lines of Thomas Hardy's poem "Transformations" are marked in margin.

p. 336: Marks in poem of John Masefield. Marks and marginal notes in "A Day of Wandering" by Clinton Scollard: "Trite! Unending montonous deark and light sky where there is nothing."

p. 344: Marks in margin at Aiken's "The Morning Song of Senlin."

p. 348: In top margin: "Advance in science - truth."

p. 351: Bracketed sentences: "His poems [Walter de la Mare's] are all combinations of twilight shades, charming compositions in violet, ivory and olive. But his pictures, made with colors that would seem to be evanescent, succeed in fixing themselves indelibly in our minds." X near: "John Masefield is know the world over as the poet of the wanderer and the outcast...."

p. 352: X in margin near: "Having made their acquaintance in these tales we know them as we know our neighbors." X near line about Masefield's story "Dauber."

p. 354: Margin in margin near: "But in shrewd understanding of personality and as a brilliant analyst of character, Edwin Arlington Robinson has no superior among living American poets."

p. 356: Four lines of Robinson's poem "Flammonde" are marked in the margin.

p. 454: In bottom margin: "It's suggestiveness that poetry is after - done by rhythm, Lindsay; words and rhythm, Sandburg. Express your emotion - any way - just express it. Rhytm but in time/melody - Kipling (lyrical).

On second last page of book: "Masefield - for diction. Lindsay for rhythm. Sandburg, sincerity. Amy Lowell - polyphonic prose. Adelaide Crapsey - form [illegible]. Imagist (impressions) Sandburg. Masefield's Cargoes. Amy Lowell. Conrad Aiken. 'Silver' by Walter de la Mare."

On last page: "Masefield - much praised by Wilkinson. Personality - Masefield, Walter de la Mare (Miss Loo). Wilfred Wilson Gibson. Vachel Lindsay. Edwin Arlington Robinson. Robert Frost. Edgar Lee Masters. Birthday?"

Inside of back cover: "Masefield poetry pages 96, 228, and 146, 336. Everlasting Mercy - Diction rough - severe. Subject & diction {Edgar Lee Masters form - conventional - rhyme and meter. Net: dress - Thur."

An ear in Bartram's tree Card on gold stock tucked into center of book: "Jonathan Williams Executive Director::The Jargon Society Penland School at Penland, North Carolina 28765"

Jargon society folder Not reviewed?
A Pocket Book of Modern Verse In Table of Contents, these name are marked: Matthew Arnold, Lewis Caroll, Gerard Manley Hopkins, and E.E. Cummings.

p. 63: "Dover Beach" by Matthew Arnold is marked with an X near the title.

p. 94: "Father William" by Lewis Carroll is marked with an X near the title.

p. 136: "Spring and Fall: To a Young Child" by Gerard Manley Hopkins is marked with an check near the title.

p. 163: "Into My Heart" by A.E. Housman is marked with a check near the title.

p. 240: "Stopping by Woods on a
Snowy Eve" by Robert Frost is marked with a check near the title.

p. 350: "Blue Girls" by John Crowe Ransom is marked with a check in the margin.

p. 472: In "Petition" by W.H. Auden the words "rehearsed response" are underlined.

Immortal poems of the English language In Table of Contents these names are marked in the margin: Emerson, Whittier, Longfellow, Poe, Holmes, Melville, Whitman, Dickinson, Lanier, George Santayana, Edgar Lee Masters, Edwin Arlington Robinson, W.H. Davies, Robert Frost, Sarah N. Cleghorn, Carl Sandburg, Vachel Lindsay, Wallace Stevens, William Carlos Williams, Pound, Robinson Jeffers, Marianne Moore, John Crowe Ransom, Conrad Aiken, Edna St. Vincent Millay, John Peale Bishop, Archibald MacLeish, E.E. Cummings, Allen Tate, Hart Crane, Ogden Nash, Richard Eberhart, Elizabeth Bishop, Delmore Schwartz, Karl Shapiro, and Robert Lowell.
Collected poems, 1921-1931 No marginalia.
Journey to love On first page: "L.N."
Kora in hell: improvisations p. 20: These sentences are marked in the margin: "But to weigh a difficulty and to turn it aside without being wrecked upon a destructive solution bespeaks an imagination of force sufficient to transcend action. The difficulty has thus been solved by ascfnt to a higher plane. It is energy of the imagination alone that cannot be laid aside."

p. 69: Sentences marked in the margin: "The moon masquerading for a tower clock over the factory, its hands in a gesture that, were time real, would have settled all." "And rubber gloves, the color of moist dates, the identical glisten and texture: means a ballon trip to Fez."
Life Along the Passaic River On first page: "Marian Bunting."

Selected letters Tucked between pp. 70-71 are pages cut out of an issue of Poetry magazine, pp. 385-392 from an unspecified issue; on pp. 386-391 there is a series of poems by William Carlos Williams under the heading "Some Simple Measures in the American Idiom and the Variable Foot."

p. 347: The index is corrected in pencil, in LN's handwriting, I believe, to add "112" to the list of pages for "Zukofsky, Louis, mentioned."

Selected poems No marginalia.
The autobiography of ____ No marginalia.
The broken span Not reviewed?
The desert music No marginalia.
A literary chronicle: 1920-1950 No marginalia.
A piece of my mind Notation written on front cover of book: "Essay on Religion. p. 58 - bath tub culture."

p. 58: Perhaps a check mark in margin near paragraph beginning "A certain kind of European...."
Axel's castle p. 229: Bracket in margin from sentence about James Joyce beginning "A single one of Joyce's sentences, therefore, will combine two or three different meanings..." to the end of the paragraph.

p. 306: Marks in margin beside discussion of Proverbe magazine and Soupalt's characterization of its collaborators.
The bare hills, a book of poems Note tucked after copyright page, typewritten onto watermarked bond paper: "relationship of oneself as man and non-God that drives one to the madness of the hysterical mysticism or the discipline of art. Art functions for Mr. Winters as a moral discipline. For him the only godhead left for man is the evaluation and renunciation of life, through the practice of art and philosophy. Review of Bare Hills in Poetry - April 1928."
A tour of the White House with Mrs. John F. Kennedy No marginalia.
Virginia Woolf & Lytton Strachey, letters A lock of reddish brown hair is preserved between pp. 144-145.
Handbook of composition This book may lend considerable insight as to what LN was taughyt about grammar and composition.

First page: "Lorine Niedecker." Other written material, not all of it legible.

Second and third pages: information on assignments and lessons is written out.

p. 27: Marks in margin near discussion of pronoun reference.

p. 28: Arrow in margin to "bad" example.

p. 29: "faulty refererence" in margin.

p. 30: Marks in margin where working examples/problems.

pp. 48-49: Marks in margin and text where working examples/problems.

pp. 51: Marks in discussion of joining coordinate verbs, arrow in margin toi example.

Marks related to itemas on the following pages: 56, 60, 105, 109, 110, 115, 116, 117, 118, 119, 120, 121, 122, 123, 124, 125, 129, 132, 135, 127, 160, 161, 162, 163, 164, 165, 167, 169, 172, 173, 174, 175, 176, 177, 178, 179, 180, 181, 182, 183, 184, 185, 186, 187,
201, 207, 208, 209, 210.

On third last page of book: "cerebrate = think very vigorously." "Rewrite theme for Dec. 1." Other words are not legible.

Last page of book: notes on several casesa of usage under heading "Remember."

Complete poetical works pp. 129-130: The poem "Michael" appears to be marked from the line beginning "Made all their household" through the line ending "The Clipping Tree, the name which yet it bears."
Victorian literature No marginalia.
Shakespeare for everyman No marginalia.
Autobiography Notation on contents page: "1865-1939."

Notation on page 1: "born 1869, died 1839."

Notation at section title "The Trembling of the Veil" on page 73: "Mallarme" and " "of the Temple."

p. 155: Paragraph beginning "If, as I think, minds and metals correspond..." is bracketed in the margin.
Selected poems and two plays No marginalia.
Emerson's Montaigne No marginalia.
Nana No marginalia.
A bibliography of Louis Zukofsky On the colophon page: signed by Celia and Louis Zukofsky, with this additional: "N Lorine's copy - Love, Celia, on May 12, 1969."
A test of poetry On first page: "For Lorine (p. 41) touching May 12, 1953 from Celia, Paul, Louisd by Louis Zukofsky indited 4/18/53."

A test of poetry No marginalia.
All the collected short poems, 1923-1958 Slip inserted into book indicates this is a "Review Copy from W.W. Norton & Company, Inc. - This book will be published on April 28, 1965.
Anew, poems No marginalia.
Autobiography No marginalia.
Bottom: on Shakespeare 2v. No marginalia.
Little No marginalia.
Prepositions No marginalia.